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Neige - Où va le blanc quand la neige fond? Where does the white go when the snow melts? Painting

Dominique BONHOMMET

France

Painting, Acrylic on Canvas

Size: 15.7 W x 15.7 H x 0.8 D in

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About The Artwork

A painting of atmosphere, it is the end of February, the winter still resists, but the spring points the end of its nose Une peinture d'atmosphère, c'est la fin février, l'hiver résiste encore, mais le printemps pointe le bout de son nez

Details & Dimensions

Painting:Acrylic on Canvas

Original:One-of-a-kind Artwork

Size:15.7 W x 15.7 H x 0.8 D in

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Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

As a child I was always attracted by drawing, then painting. After studying art history at the Sorbonne, I wanted to express myself more seriously in painting. I have long been confined to pastel. For some years, after taking some time the path of watercolor and oil, I stopped at the acrylic. It is a medium that suits me very well by the flexibility it can bring in improvisation, letting go. I especially like the work of acrylic in the great wet as for the watercolor. I do not hesitate to work on a wet canvas by fusing the pigments. In recent years, I have explored a more abstract-figurative style. To be like a tightrope walker on a tightrope between the abstract and the figurative while maintaining a fair balance. My subjects are more particularly imaginary landscapes where light is a principle of foreground....... Enfant j'ai toujours été attirée par le dessin, puis la peinture. Après des études d'histoire de l'Art à la Sorbonne, j'ai eu envie de m'exprimer d'une manière plus sérieuse en peinture. Je me suis longtemps cantonnée au pastel. Depuis quelques années, après avoir pris quelques temps le chemin de l'aquarelle et de l'huile, je me suis arrêtée à l'acrylique. C'est un médium qui me convient très bien par la souplesse qu'il peut apporter dans l'improvisation, le lâcher-prise. J'aime tout particulièrement le travail de l'acrylique dans le grand mouillé comme pour l'aquarelle. Je n'hésite pas à travailler sur une toile humide en faisant fusionner les pigments. Depuis quelques années, j'explore un style plus abstracto-figuratif. Etre comme un funambule sur une corde raide entre l'abstrait et le figuratif tout en gardant un juste équilibre. Mes sujets sont plus particulièrement des paysages imaginaires où la lumière est un principe de premier plan.

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