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Painting, Oil on Canvas
Size: 27.6 W x 39.4 H x 0.8 D in
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209 Views
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Second One This oil painting ‘Neo Deco – 04-07-23’ is the second one in the series under the same name. The first one was a first attempt to put my ever growing series into color. Doesn’t it resemble the roundism series, I hear you ask. Well, yes but I consider this one also containing more general deco motifs. In fact, in the past I named a work ‘roundism’ when it mainly contained swirls and curves. However, I feel the series is up for closure. I don’t rule out adding another one in due time though. I also feel I’m entering new territory, combining straight planes and curved ones. Not sure where to go next but doesn’t an artist always feels that way? That’s the fun part! Two Different Looks Whereas the previous one was full of highly saturated colors this oil is differerent. I tried to subdue colors a bit and use only strong colored patches of paints in small quantities. This way the duller ones come in bigger quantities. I tried to feel my way through to an optimal quantity / quality balance. Due to the relative character of colors that obviously is a subjective experience. Therefor, choices I made you won’t necessarily have to concur with. I think I did the best I can. Not sure I succeeded though. Writing this art statement the painting is one hour old. Up close the patches look brillant. From a distance I spotted a result that comes through the principle of divisionism. Complementary colours seem to merge and becom
Oil on Canvas
One-of-a-kind Artwork
27.6 W x 39.4 H x 0.8 D in
Not Framed
No
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Netherlands.
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Netherlands
1969, born in Nijmegen. My work can be seen in many countries all over the world. Corné employs a variety of styles that all have one thing in common: the ever search for the light on phenomena and all the shadows and light planes they block in. His favorites in doing so are oil paint, dry pastel and graphite pencil. He states that it’s not the form or the theme that counts but the way planes of certain tonal quality vary and block in the lights. Colours are relatively unimportant and can take on whatever scheme. It’s the tonal quality that is ever present in his work, creating the illusion of depth and mass on a flat 2d-plane. Corné combines figurative work with the search for abstraction because neither in extremo can provide the desired art statement the public expects from an artist. Besides all that, exaggeration and deviation is the standard and results in a typical use of a strong colour scheme and a hugh tonal bandwith, in order to create art that, when the canvas or paper would be torn into pieces, in essence still would be recognizable.
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