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Nephrology Painting

Steven Austin

United States

Painting, Oil on Canvas

Size: 39 W x 57 H x 1.5 D in

Ships in a Crate

This artwork is not for sale.

60 Views

2

ABOUT THE ARTWORK
DETAILS AND DIMENSIONS
SHIPPING AND RETURNS

One of a series paying homage to the medical arts with focus on the medical specialty of Nephrology. Here blood passes through the kidney where it is cleansed. This concise, geometric composition presents the viewer with a mechanical rendition of this vital organ. A fine addition to the interior of ...

Year Created:

2021

Subject:
Mediums:

Painting, Oil on Canvas

Rarity:

One-of-a-kind Artwork

Size:

39 W x 57 H x 1.5 D in

Ready to Hang:

Yes

Frame:

Black

Authenticity:

Certificate is Included

Packaging:

Ships in a Crate

Delivery Cost:

Shipping is included in price.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

14-day return policy. Visit our help section for more information.

Handling:

Ships in a wooden crate for additional protection of heavy or oversized artworks. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.

Ships From:

United States.

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Need more information?

I was born October 1951 in Bradenton, Florida, attended the Ringling School of Art and Design in Sarasota, Florida, as well as the Atlanta College of Art. Steve and family moved to Atlanta, Georgia, in 1991 where I lived until 2007, when I moved to and currently reside in the Denver, Colorado area. Careful, intimate analysis of structure, light and mass is the essential method I employ in my creative process. I believe the very act of observation brings the observed phenomena into existence. Transformation of this simple notion into a visual experience occupies the core of my art. I consider all objects of the Natural World with an equal level of scrutiny and importance. I look for patterns, geometries and coded redundancies that echo throughout our universe, be they as microscopic as spiral path of a subatomic particle, or as massive as the entire visual universe itself. Here scale is meaningless. I generally work at a large scale, which compliments the visual impact tremendously. Indeed it is this initial impact, often perceived from a distance, which draws the viewer into the work where a more intimate connection between observer and the observed is achieved. I see the picture plane as a portal which beckons the viewer to enter. The oftentimes vertical orientation of my paintings suggests such a doorway. On the subject of composition, I am of the opinion that a strong drawing is essential in creating a framework upon which my painting is structured. The application of pigment merely serves to compliment the initial drawing as an extension of drawing itself. I do not delineate a point where drawing stops and painting begins.

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