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The emotional intuition stimulates in my works, an uncontrolled pictorial energy, made of lines and forms which is ordered according to my own vision, as my work progresses. I want to express this interior perception, by constructing my composition around an almost invisible frame, which I see coming without being able to anticipate it. The composition of this work appeared to me unconsciously, through a set of transparencies. The contrast of the movement of lines and shapes created by transparencies and sometimes organized geometrically, I was particularly interested in it. There was something in it that was digging my canvas and appeared to me to be incredibly deep. " "It's what I do that teaches me what I'm looking for," Pierre Soulages would say.
The emotional intuition stimulates in my works, an uncontrolled pictorial energy, made of lines and forms which is ordered according to my own vision, as my work progresses. I want to express this interior perception, by constructing my composition around an almost invisible frame, which I see coming without being able to anticipate it. The composition of this work appeared to me unconsciously, through a set of transparencies. The contrast of the movement of lines and shapes created by transparencies and sometimes organized geometrically, I was particularly interested in it. There was something in it that was digging my canvas and appeared to me to be incredibly deep. " "It's what I do that teaches me what I'm looking for," Pierre Soulages would say.
The emotional intuition stimulates in my works, an uncontrolled pictorial energy, made of lines and forms which is ordered according to my own vision, as my work progresses. I want to express this interior perception, by constructing my composition around an almost invisible frame, which I see coming without being able to anticipate it. The composition of this work appeared to me unconsciously, through a set of transparencies. The contrast of the movement of lines and shapes created by transparencies and sometimes organized geometrically, I was particularly interested in it. There was something in it that was digging my canvas and appeared to me to be incredibly deep. " "It's what I do that teaches me what I'm looking for," Pierre Soulages would say.
The emotional intuition stimulates in my works, an uncontrolled pictorial energy, made of lines and forms which is ordered according to my own vision, as my work progresses. I want to express this interior perception, by constructing my composition around an almost invisible frame, which I see coming without being able to anticipate it. The composition of this work appeared to me unconsciously, through a set of transparencies. The contrast of the movement of lines and shapes created by transparencies and sometimes organized geometrically, I was particularly interested in it. There was something in it that was digging my canvas and appeared to me to be incredibly deep. " "It's what I do that teaches me what I'm looking for," Pierre Soulages would say.
The emotional intuition stimulates in my works, an uncontrolled pictorial energy, made of lines and forms which is ordered according to my own vision, as my work progresses. I want to express this interior perception, by constructing my composition around an almost invisible frame, which I see coming without being able to anticipate it. The composition of this work appeared to me unconsciously, through a set of transparencies. The contrast of the movement of lines and shapes created by transparencies and sometimes organized geometrically, I was particularly interested in it. There was something in it that was digging my canvas and appeared to me to be incredibly deep. " "It's what I do that teaches me what I'm looking for," Pierre Soulages would say.

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New dimension Painting

ines khadraoui

France

Painting, Acrylic on Canvas

Size: 59.1 W x 59.1 H x 0.8 D in

Ships in a Crate

SOLD
Originally listed for $5,430

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ABOUT THE ARTWORK

The emotional intuition stimulates in my works, an uncontrolled pictorial energy, made of lines and forms which is ordered according to my own vision, as my work progresses. I want to express this interior perception, by constructing my composition around an almost invisible frame, which I see coming without being able to anticipate it. The composition of this work appeared to me unconsciously, through a set of transparencies. The contrast of the movement of lines and shapes created by transparencies and sometimes organized geometrically, I was particularly interested in it. There was something in it that was digging my canvas and appeared to me to be incredibly deep. " "It's what I do that teaches me what I'm looking for," Pierre Soulages would say.

DETAILS AND DIMENSIONS
Painting:

Acrylic on Canvas

Original:

One-of-a-kind Artwork

Size:

59.1 W x 59.1 H x 0.8 D in

SHIPPING AND RETURNS
Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

I was born in the Parisian suburbs of France, daughter of immigrant parents. From Spanish mother, I spent part of my childhood between Cantabria (Spain) and the Paris region (France). I currently live in the center of Paris. My first artistic education I owe it to my mother, a talented seamstress who used to draw embroidery patterns, inspired by nature. Inspired by my mother’s drawings, I develop my artistic sense at a very young age. It is belatedly that I will take up design studies. My art is the outcome of a period of professional creative frenzy in of about twenty years which I needed to feed myself to bring out my own artistic vision. My works give off a strong energy, positive. My art has freed herself from all technical constraints, to focus only on the expression and decoding of the energies that drive us. I have abandonned the figurative style and have turned to abstraction. The influence of Joan Mitchell will be particularly present in this evolution. I have now engaged in an introspective work for years, promoting the connection between body, mind and sensory experimentation that my painting give me through my gestures. My painting is neither in the past nor in the future. Only the present interests me, the moment when I create.

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