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Night Berries Painting

Cinzia Marotta

Italy

Painting, Oil on Wood

Size: 11.8 W x 11.8 H x 1.6 D in

Ships in a Box

This artwork is not for sale.

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ABOUT THE ARTWORK
DETAILS AND DIMENSIONS
SHIPPING AND RETURNS

A blackbird (Turdus merula) caught on an elderberry branch laden with rain-soaked berries. Imagine you take a walk in a forest to relax, but that silence makes you feel observed. And suddenly there it is: a wild creature is staring from the thicket, frozen, returning for a moment your gaze before d...

Year Created:

2021

Subject:
Styles:
Mediums:
Mediums:

Painting, Oil on Wood

Rarity:

One-of-a-kind Artwork

Size:

11.8 W x 11.8 H x 1.6 D in

Ready to Hang:

Not Applicable

Frame:

Not Framed

Authenticity:

Certificate is Included

Packaging:

Ships in a Box

Delivery Cost:

Shipping is included in price.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

Free returns within 14 days of delivery. Visit our help section for more information.

Handling:

Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.

Ships From:

Italy.

Customs:

Shipments from Italy may experience delays due to country's regulations for exporting valuable artworks.

Need more information?

Need more information?

I’m a nature oil painter living and working in Umbria, Italy. My realistic, but somewhat magical style is grounded by hard research and a scientific approach, aimed at capturing the mysterious, dark side of a natural world as opposed to an anthropocentric vision of our reality and culture. As a teen, I studied in the atelier of famous Italian painter Pietro Sabatini, but then life took on a different path. After twenty years as an AD in a small company, I dropped everything to return to my art. Now my life is based on withdrawal from society and artistic research, with the aim of becoming an important figure in the contemporary world art scene. I paint plants and animals, exploring the mystery of their balance in a shared and fragile environment. In contrast with the traditional idyllic idea of nature, conceived as a way to give pleasure to the human eye, my vision is often dark and enigmatic. I get inspired by Pre-Raphaelites painters, in particular by their investigative approach to nature, by the background of Italian Renaissance portraits and by Flemish still life painters, in particular Otto Marseus Van Schrieck, inventor of the forest floor still life. My process is as sustainable as I can. I prepare every canvas from raw organic linen, avoiding rabbit skin glue and other animal products, constantly researching sustainable processes and materials. My philosophy is that it makes no sense to paint nature while polluting it.

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