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"Nocturne, Defiance" Painting

Julie Cross, United Kingdom

Painting, Oil on Wood

11 W x 13.4 H in

Framed

This artwork is not for sale.

ABOUT THE ARTWORK
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This contemporary figurative work features a solitary child, stood in the moonlight in quiet defiance. She is, despite her tender years, strong and resilient, directly meeting the gaze of the viewer. The textured painting is created with many layers and is painted on a wooden panel, framed profess...

Year Created:

2020

Subject:
Mediums:
Mediums:

Painting, Oil on Wood

Rarity:

One-of-a-kind Artwork

Size:

11 W x 13.4 H x 2.4 D in

Ready to Hang:

Not Applicable

Frame:

Other

Authenticity:

Certificate is Included

Packaging:

Ships in a Box

Delivery Cost:

Shipping is included in price.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

Free returns within 14 days of delivery. Visit our help section for more information.

Handling:

Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.

Ships From:

United Kingdom.

Customs:

Shipments from United Kingdom may experience delays due to country's regulations for exporting valuable artworks.

Need more information?

Need more information?

UK-based painter, Julie Cross, creates enigmatic figurative works that are impressionistic/expressionistic, characterised by rich textures and powerful gestures. Mostly working with semi-abstracted female forms, she seeks to highlight some of the essentials of human existence, such as the interconnections between humans and their environment, the mysteries of memory and the role of fate. "Gesture and silhouette are vital as I attempt to distil only the very essence of an idea or narrative," says Julie. "I am fascinated by people and their stories, and texture and light are often the visual (and physical) qualities that I most like to utilise in my complex, multi-layered work." Julie is influenced by the sense of mystery of the early figurative work of Nathan Oliveira and the Bay Area Figurative movement, as well as the visceral paint handling of Walter Sickert and the post-impressionists. Her paintings often have fascinating layered surfaces that can take months, even years to create, as she applies, abrades and even completely removes paint, so that time itself helps create the surface and suggests figures. This attempt to create and find meaning from the dense and sometimes fractured substrate is akin to the creation of memory, story and life itself.

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