Oblivion Painting

Dichotomy is the main feature of my practice; my work is equally precise and detailed, but also fractured, unfinished and deconstructed. A type of manipulation, where the painting is abstract and realistic at the same time. My aim is to be able to create anything within the framework of painting, to find a path where there are no constrains and limitations in terms of representation. In my paintings appearance of the contrast between existing and invisible is linked to the conceptual matters of nature, existence and human cognition. The standard set of rules are dissolved by the fragments and the partial forms, layers. The shapes develop organically, as observed in nature. My area of research is slow processes, private spaces, human behaviour, existence, incompleteness, reconstruction, fragmentation, reinterpretation and denial.