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I made "Ocean Air" to look so much like tropical waves lapping in that you want to dip your toes in it. Using softer ocean blue-greens, I worked with a blow torch and heat tools to get the resin to flow and merge to look like webby waves crashing in. Those layers pour over the beach and retract leaving a wet sand layer and a normal sand layer, just like in real life. With just a touch of metallic to the sand, your eyes will catch a glint here and there throughout the day as the light dances upon it. Normally working on a wood panel I shave off any spillover resin for a clean wood edge, but the spillover on this one is just too gorgeous to remove. This is the only painting I'm doing this with because I feel that the edges are a continuation of the painting that I wouldn't dare touch. Like Bob Ross says, what a happy accident! I've included many angles in the picture so you can see it. Resin is a demanding but exhilarating art form. It is punishing but blissful. With just an hour of worktime, I must use every hard wrought lesson to perfect the pigmented resin I pour. I use surfboard crafting pigments, India Inks, powder pigments and more for the varying hues. Then, I grab a heat-based tool, like my blow torch and manipulate the poured layers from there. The same process that gets you a gorgeously decorated surfboard is what gets you these paintings. As a former surfer, I find myself ever eager to recapture those fleeting moments in the surf in resin. *Picture is an example of how my work may look in your space, but the actual size is as listed. Typically, I enlarge it in the example picture to capture all the detail.
I made "Ocean Air" to look so much like tropical waves lapping in that you want to dip your toes in it. Using softer ocean blue-greens, I worked with a blow torch and heat tools to get the resin to flow and merge to look like webby waves crashing in. Those layers pour over the beach and retract leaving a wet sand layer and a normal sand layer, just like in real life. With just a touch of metallic to the sand, your eyes will catch a glint here and there throughout the day as the light dances upon it. Normally working on a wood panel I shave off any spillover resin for a clean wood edge, but the spillover on this one is just too gorgeous to remove. This is the only painting I'm doing this with because I feel that the edges are a continuation of the painting that I wouldn't dare touch. Like Bob Ross says, what a happy accident! I've included many angles in the picture so you can see it. Resin is a demanding but exhilarating art form. It is punishing but blissful. With just an hour of worktime, I must use every hard wrought lesson to perfect the pigmented resin I pour. I use surfboard crafting pigments, India Inks, powder pigments and more for the varying hues. Then, I grab a heat-based tool, like my blow torch and manipulate the poured layers from there. The same process that gets you a gorgeously decorated surfboard is what gets you these paintings. As a former surfer, I find myself ever eager to recapture those fleeting moments in the surf in resin. *Picture is an example of how my work may look in your space, but the actual size is as listed. Typically, I enlarge it in the example picture to capture all the detail.
I made "Ocean Air" to look so much like tropical waves lapping in that you want to dip your toes in it. Using softer ocean blue-greens, I worked with a blow torch and heat tools to get the resin to flow and merge to look like webby waves crashing in. Those layers pour over the beach and retract leaving a wet sand layer and a normal sand layer, just like in real life. With just a touch of metallic to the sand, your eyes will catch a glint here and there throughout the day as the light dances upon it. Normally working on a wood panel I shave off any spillover resin for a clean wood edge, but the spillover on this one is just too gorgeous to remove. This is the only painting I'm doing this with because I feel that the edges are a continuation of the painting that I wouldn't dare touch. Like Bob Ross says, what a happy accident! I've included many angles in the picture so you can see it. Resin is a demanding but exhilarating art form. It is punishing but blissful. With just an hour of worktime, I must use every hard wrought lesson to perfect the pigmented resin I pour. I use surfboard crafting pigments, India Inks, powder pigments and more for the varying hues. Then, I grab a heat-based tool, like my blow torch and manipulate the poured layers from there. The same process that gets you a gorgeously decorated surfboard is what gets you these paintings. As a former surfer, I find myself ever eager to recapture those fleeting moments in the surf in resin. *Picture is an example of how my work may look in your space, but the actual size is as listed. Typically, I enlarge it in the example picture to capture all the detail.
I made "Ocean Air" to look so much like tropical waves lapping in that you want to dip your toes in it. Using softer ocean blue-greens, I worked with a blow torch and heat tools to get the resin to flow and merge to look like webby waves crashing in. Those layers pour over the beach and retract leaving a wet sand layer and a normal sand layer, just like in real life. With just a touch of metallic to the sand, your eyes will catch a glint here and there throughout the day as the light dances upon it. Normally working on a wood panel I shave off any spillover resin for a clean wood edge, but the spillover on this one is just too gorgeous to remove. This is the only painting I'm doing this with because I feel that the edges are a continuation of the painting that I wouldn't dare touch. Like Bob Ross says, what a happy accident! I've included many angles in the picture so you can see it. Resin is a demanding but exhilarating art form. It is punishing but blissful. With just an hour of worktime, I must use every hard wrought lesson to perfect the pigmented resin I pour. I use surfboard crafting pigments, India Inks, powder pigments and more for the varying hues. Then, I grab a heat-based tool, like my blow torch and manipulate the poured layers from there. The same process that gets you a gorgeously decorated surfboard is what gets you these paintings. As a former surfer, I find myself ever eager to recapture those fleeting moments in the surf in resin. *Picture is an example of how my work may look in your space, but the actual size is as listed. Typically, I enlarge it in the example picture to capture all the detail.
I made "Ocean Air" to look so much like tropical waves lapping in that you want to dip your toes in it. Using softer ocean blue-greens, I worked with a blow torch and heat tools to get the resin to flow and merge to look like webby waves crashing in. Those layers pour over the beach and retract leaving a wet sand layer and a normal sand layer, just like in real life. With just a touch of metallic to the sand, your eyes will catch a glint here and there throughout the day as the light dances upon it. Normally working on a wood panel I shave off any spillover resin for a clean wood edge, but the spillover on this one is just too gorgeous to remove. This is the only painting I'm doing this with because I feel that the edges are a continuation of the painting that I wouldn't dare touch. Like Bob Ross says, what a happy accident! I've included many angles in the picture so you can see it. Resin is a demanding but exhilarating art form. It is punishing but blissful. With just an hour of worktime, I must use every hard wrought lesson to perfect the pigmented resin I pour. I use surfboard crafting pigments, India Inks, powder pigments and more for the varying hues. Then, I grab a heat-based tool, like my blow torch and manipulate the poured layers from there. The same process that gets you a gorgeously decorated surfboard is what gets you these paintings. As a former surfer, I find myself ever eager to recapture those fleeting moments in the surf in resin. *Picture is an example of how my work may look in your space, but the actual size is as listed. Typically, I enlarge it in the example picture to capture all the detail.

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Ocean Air Painting

Tiffani Buteau

United States

Painting, Resin on Wood

Size: 24 W x 12 H x 1.5 D in

Ships in a Box

SOLD
Originally listed for $540

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ABOUT THE ARTWORK

I made "Ocean Air" to look so much like tropical waves lapping in that you want to dip your toes in it. Using softer ocean blue-greens, I worked with a blow torch and heat tools to get the resin to flow and merge to look like webby waves crashing in. Those layers pour over the beach and retract leaving a wet sand layer and a normal sand layer, just like in real life. With just a touch of metallic to the sand, your eyes will catch a glint here and there throughout the day as the light dances upon it. Normally working on a wood panel I shave off any spillover resin for a clean wood edge, but the spillover on this one is just too gorgeous to remove. This is the only painting I'm doing this with because I feel that the edges are a continuation of the painting that I wouldn't dare touch. Like Bob Ross says, what a happy accident! I've included many angles in the picture so you can see it. Resin is a demanding but exhilarating art form. It is punishing but blissful. With just an hour of worktime, I must use every hard wrought lesson to perfect the pigmented resin I pour. I use surfboard crafting pigments, India Inks, powder pigments and more for the varying hues. Then, I grab a heat-based tool, like my blow torch and manipulate the poured layers from there. The same process that gets you a gorgeously decorated surfboard is what gets you these paintings. As a former surfer, I find myself ever eager to recapture those fleeting moments in the surf in resin. *Picture is an example of how my work may look in your space, but the actual size is as listed. Typically, I enlarge it in the example picture to capture all the detail.

DETAILS AND DIMENSIONS
Painting:

Resin on Wood

Original:

One-of-a-kind Artwork

Size:

24 W x 12 H x 1.5 D in

SHIPPING AND RETURNS
Delivery Time:

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Tiffani Buteau is a distinguished artist celebrated for her innovative painting technique that combines sculpting and pouring resin. Her work, characterized by its serene and evocative themes, captures the tranquil beauty of nature in mesmerizing detail. Each piece by Tiffani reflects a profound connection to the natural world, offering viewers a peaceful respite through her art. Despite the challenges posed by dysautonomia, a condition that affects her autonomic nervous system and necessitates working in short, focused bursts, Tiffani's dedication to her craft remains unwavering. Her resilience and passion shine through in her meticulously crafted works, which are not only visual feasts but also embodiments of her perseverance. Tiffani's unique approach to art—blending traditional sculpting with the fluid dynamics of resin—creates multidimensional masterpieces that invite viewers to explore and immerse themselves in the tranquil harmony of nature. Each painting is a testament to her skill, creativity, and the serene beauty she strives to bring into the world. Living near Seattle, Washington, Tiffani works out of a charming A-frame studio nestled in the woods, a setting that deeply inspires her nature-themed creations. Due to her disability, she does not participate in exhibitions. Instead, she exclusively sells her artwork online to collectors, allowing her to share her art with a global audience while managing her health. Through her art, Tiffani Buteau not only navigates her personal challenges but also inspires others with her story of strength and creativity. Her paintings stand as beacons of peace, inviting all who encounter them to pause, reflect, and find solace in the natural splendor they depict.

Artist Recognition
Artist featured in a collection

Artist featured by Saatchi Art in a collection

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