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From “ Swann's way “ Marcel Proust

"... bowing his head, with her big eyes so tired and sulky when she was not animated, he struck Swann for her resemblance to that figure of Sefora, Jetro's daughter, seen in a fresco in the Chapel Sistine. Swann had always had that particular taste for having fun in finding in the paintings of the masters not only the general characteristics of the reality that surrounds us, but what instead seems less susceptible to generality, the individual features of the faces we know ... "
From “ Swann's way “ Marcel Proust

"... bowing his head, with her big eyes so tired and sulky when she was not animated, he struck Swann for her resemblance to that figure of Sefora, Jetro's daughter, seen in a fresco in the Chapel Sistine. Swann had always had that particular taste for having fun in finding in the paintings of the masters not only the general characteristics of the reality that surrounds us, but what instead seems less susceptible to generality, the individual features of the faces we know ... "
From “ Swann's way “ Marcel Proust

"... bowing his head, with her big eyes so tired and sulky when she was not animated, he struck Swann for her resemblance to that figure of Sefora, Jetro's daughter, seen in a fresco in the Chapel Sistine. Swann had always had that particular taste for having fun in finding in the paintings of the masters not only the general characteristics of the reality that surrounds us, but what instead seems less susceptible to generality, the individual features of the faces we know ... "
From “ Swann's way “ Marcel Proust

"... bowing his head, with her big eyes so tired and sulky when she was not animated, he struck Swann for her resemblance to that figure of Sefora, Jetro's daughter, seen in a fresco in the Chapel Sistine. Swann had always had that particular taste for having fun in finding in the paintings of the masters not only the general characteristics of the reality that surrounds us, but what instead seems less susceptible to generality, the individual features of the faces we know ... "
From “ Swann's way “ Marcel Proust

"... bowing his head, with her big eyes so tired and sulky when she was not animated, he struck Swann for her resemblance to that figure of Sefora, Jetro's daughter, seen in a fresco in the Chapel Sistine. Swann had always had that particular taste for having fun in finding in the paintings of the masters not only the general characteristics of the reality that surrounds us, but what instead seems less susceptible to generality, the individual features of the faces we know ... "

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Odette/Sefora Painting

Devis Ponzellini

Switzerland

Painting, Oil on Canvas

Size: 15.7 W x 19.7 H x 0.8 D in

Ships in a Box

$350

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From “ Swann's way “ Marcel Proust "... bowing his head, with her big eyes so tired and sulky when she was not animated, he struck Swann for her resemblance to that figure of Sefora, Jetro's daughter, seen in a fresco in the Chapel Sistine. Swann had always had that particular taste for having fun ...

Year Created:

2021

Medium:

Painting, Oil on Canvas

Rarity:

One-of-a-kind Artwork

Size:

15.7 W x 19.7 H x 0.8 D in

Ready to Hang:

Not Applicable

Frame:

Not Framed

Authenticity:

Certificate is Included

Packaging:

Ships in a Box

Delivery Cost:

Shipping is included in price.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

14-day return policy. Visit our help section for more information.

Handling:

Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.

Ships From:

Switzerland.

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Need more information?

Devis Ponzellini was born to Monteggio (Switzerland Ticino) the 31 July of the 1976. After the compulsory schoolsundertakes a formation professional technique, in the sector computer technology. Years later he will abandon this field not feeling himself more to his in this working circle. During these years the passion for the art is as a silent love in ebullition that will have full outlet in the years to follow. Among jars, brushes, colors to oil, nights sleepless and material casual, he develops his self-taught run dipping himself and meeting himself with the the historical styles, in special way Dadaism and surrealism. From 2009 he regularly exposes in collective and in institutes of his zone and in Italy.

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