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From “ Swann's way “ Marcel Proust

"... bowing his head, with her big eyes so tired and sulky when she was not animated, he struck Swann for her resemblance to that figure of Sefora, Jetro's daughter, seen in a fresco in the Chapel Sistine. Swann had always had that particular taste for having fun in finding in the paintings of the masters not only the general characteristics of the reality that surrounds us, but what instead seems less susceptible to generality, the individual features of the faces we know ... "
From “ Swann's way “ Marcel Proust

"... bowing his head, with her big eyes so tired and sulky when she was not animated, he struck Swann for her resemblance to that figure of Sefora, Jetro's daughter, seen in a fresco in the Chapel Sistine. Swann had always had that particular taste for having fun in finding in the paintings of the masters not only the general characteristics of the reality that surrounds us, but what instead seems less susceptible to generality, the individual features of the faces we know ... "
From “ Swann's way “ Marcel Proust

"... bowing his head, with her big eyes so tired and sulky when she was not animated, he struck Swann for her resemblance to that figure of Sefora, Jetro's daughter, seen in a fresco in the Chapel Sistine. Swann had always had that particular taste for having fun in finding in the paintings of the masters not only the general characteristics of the reality that surrounds us, but what instead seems less susceptible to generality, the individual features of the faces we know ... "
From “ Swann's way “ Marcel Proust

"... bowing his head, with her big eyes so tired and sulky when she was not animated, he struck Swann for her resemblance to that figure of Sefora, Jetro's daughter, seen in a fresco in the Chapel Sistine. Swann had always had that particular taste for having fun in finding in the paintings of the masters not only the general characteristics of the reality that surrounds us, but what instead seems less susceptible to generality, the individual features of the faces we know ... "
From “ Swann's way “ Marcel Proust

"... bowing his head, with her big eyes so tired and sulky when she was not animated, he struck Swann for her resemblance to that figure of Sefora, Jetro's daughter, seen in a fresco in the Chapel Sistine. Swann had always had that particular taste for having fun in finding in the paintings of the masters not only the general characteristics of the reality that surrounds us, but what instead seems less susceptible to generality, the individual features of the faces we know ... "
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Odette/Sefora Painting

Devis Ponzellini

Switzerland

Painting, Oil on Canvas

Size: 15.7 W x 19.7 H x 0.8 D in

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$290USD

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About The Artwork

From “ Swann's way “ Marcel Proust "... bowing his head, with her big eyes so tired and sulky when she was not animated, he struck Swann for her resemblance to that figure of Sefora, Jetro's daughter, seen in a fresco in the Chapel Sistine. Swann had always had that particular taste for having fun in finding in the paintings of the masters not only the general characteristics of the reality that surrounds us, but what instead seems less susceptible to generality, the individual features of the faces we know ... "

Details & Dimensions

Painting:Oil on Canvas

Original:One-of-a-kind Artwork

Size:15.7 W x 19.7 H x 0.8 D in

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Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Devis Ponzellini was born to Monteggio (Switzerland Ticino) the 31 July of the 1976. After the compulsory schoolsundertakes a formation professional technique, in the sector computer technology. Years later he will abandon this field not feeling himself more to his in this working circle. During these years the passion for the art is as a silent love in ebullition that will have full outlet in the years to follow. Among jars, brushes, colors to oil, nights sleepless and material casual, he develops his self-taught run dipping himself and meeting himself with the the historical styles, in special way Dadaism and surrealism. From 2009 he regularly exposes in collective and in institutes of his zone and in Italy.

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