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Painting, Oil on Paper
Size: 13.8 W x 19.7 H x 0.1 D in
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This collection which is produced with the basic understanding of Entropy between 2015-2017 consists of 63 oil paintings on paper and fabric. It is inspired by a poetic story about the relationship between three brothers and their sister, taking place at the very beginning of time. Many of the works points to no particular object or reference in sight, at the same time they are not unfamiliar. Such characteristics puts the observer in the position of choice, the observer pours existence into non-existence and vice versa. The (concept of) Entropy in the universe as stated by the laws of thermodynamics has been increasing since the Big Bang; simultaneously, giving the title "Entropy" to this solo collection done in 2018 in Ankara
Oil on Paper
One-of-a-kind Artwork
13.8 W x 19.7 H x 0.1 D in
Other
Not applicable
Ships in a Box
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Born in 1980, Sasan Baheri Rad studied Painting at Azad University before completing his MA and PhD in Painting at Hacettepe University in Turkey, where he focused on the theme of visual traces of the unpredictability of the subject. In his works he often examines what lies behind daily struggles through amorphous - abstract structures, using painting and lately printmaking, often in series format. “I see them on the bases of physics and I focus on subject in state of existence and nonexistence in order to open other dimensions where we can read our reality and ego”. In the latest works color is a rare sighting. The series of paintings display a variety of composition and moods around the subject of chaos and irregularities. Black is the dominant part of works such as in the work, Torn out Universe, 2016. Each square is a symbol of order and is a heavy, durable and stationary form that connects four points becoming a chessboard to ease of our understanding around a complex order. Black exists in the presence of its own contrasts restraining chaos and opening up for a new understanding of a fertile “dark”. The chaotic and destabilizing nature of his home country, Iran, and revolution and war that impacted the country deeply with severe consequences has fed the artist with an unmatched library of visual references and memories. ‘Searching for a new life’ and ‘total obedience of nature’ have caused the artist to analyze the sociocultural disorders and desperately attempt to normalize and create a safe space as a creation. His current work, such as Black Balance and Position 4 deal with the subject of Entropy in art.
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