206 Views
1
View In My Room
Painting, Oil on Wood
Size: 37 W x 35.4 H x 2 D in
Ships in a Crate
206 Views
1
ABOUT THE ARTWORK
DETAILS AND DIMENSIONS
SHIPPING AND RETURNS
The simultaneous relationship with the viewer led me to convey the charm and beauty of these masterpieces of the cyber world, translating them pictorially to the "maniera" of the Masters of the Rinascimento revisited. The most representative features from images downloaded the demo of some video gam...
Year Created:
2014
Subject:
Styles:
Mediums:
Painting, Oil on Wood
Rarity:
One-of-a-kind Artwork
Size:
37 W x 35.4 H x 2 D in
Ready to Hang:
Not Applicable
Frame:
Other
Authenticity:
Certificate is Included
Packaging:
Ships in a Crate
Delivery Cost:
Shipping is included in price.
Delivery Time:
Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Returns:
Free returns within 14 days of delivery. Visit our help section for more information.
Handling:
Ships in a wooden crate for additional protection of heavy or oversized artworks. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:
Italy.
Customs:
Shipments from Italy may experience delays due to country's regulations for exporting valuable artworks.
Need more information?
Need more information?
Pisciotta Federico was born in Rome on 30 October 1975. He graduated in 1993 at the VI Art School in Rome and in 1997 in painting at the Academy of Fine Arts in Rome, with Nunzio Solendo and Sandro Trotti. After teaching for several years in the capital, he devoted himself exclusively to painting and contemporary art research. From 2013 lives and works in Fara in Sabina, at his studio "700Artecontemporanea". He has participated in group exhibitions, solo and international exhibitions in Italy and abroad exposing at some prestigious public spaces such as the Foundation Museum Venanzo Crocetti in Rome, the Stables of Aragona Palace in Vasto, CH, the DAP1 Gallery in Warsaw and Halle 50 at the DomagkAteliers in Monaco of Bavaria. One of his latest projects, introduced in Germany in 2014, employs a personal process of painting review, supported by multimedia interactions that recall the obsessive presence of the informatics iconography.
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