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The contrast of the transparent Indian yellow against the thick paint of the zinnias give this piece depth and texture that make it glow. I painted this still life outside in the garden creating deep, dark colors in the shadows. I cut these flowers from a local flower farm. I love playing with composition. The very vertical panel makes for a dynamic composition, with a shift in the receding table plane.
The contrast of the transparent Indian yellow against the thick paint of the zinnias give this piece depth and texture that make it glow. I painted this still life outside in the garden creating deep, dark colors in the shadows. I cut these flowers from a local flower farm. I love playing with composition. The very vertical panel makes for a dynamic composition, with a shift in the receding table plane.
This piece is framed with wood floater frame with inside edges painted black
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Orange Zinnias Painting

Janet Howard-Fatta

United States

Painting, Oil on Wood

Size: 14 W x 24 H x 1.3 D in

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$930

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231 Views
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About The Artwork

The contrast of the transparent Indian yellow against the thick paint of the zinnias give this piece depth and texture that make it glow. I painted this still life outside in the garden creating deep, dark colors in the shadows. I cut these flowers from a local flower farm. I love playing with composition. The very vertical panel makes for a dynamic composition, with a shift in the receding table plane.

Details & Dimensions

Painting:Oil on Wood

Original:One-of-a-kind Artwork

Size:14 W x 24 H x 1.3 D in

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Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

I am a live event painter. Wedding painting has been my main focus of work for the last 8 years... I organize a weekly figure drawing session in my community, this is my playtime. I am passionately dedicated to painting. I started oil painting when was 12 years old. Painting from life or on location enables me to use all of my senses. I work quickly and intuitively, laying down a damp tone on the canvas and then create compositional indications in paint of the subject. I try to feel the land and how I am connected to it. Time of day, atmosphere, temperature, light, movement, season...all inform my paintings. This allows sensory exploration into a combination of representation and painterly abstraction. At the same time, I use illusion to visually represent what draws us in and brings our insides out. When it feels like a poem, I know it is completed. I serve on the board of directors of my Orange County Arts Council, NY.

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