VIEW IN MY ROOM
Romania
Painting, Oil on Canvas
Size: 22.8 W x 30.7 H x 2 D in
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Orchard. 2018 First time exposed on "Nuances" personal exhibition, at Centrul Cultural si de Tineret pentru UNESCO – “Nicolae Bălcescu” – Bucharest. August 2019. The Apple Orchard Poem by Rainer Maria Rilke Come let us watch the sun go down and walk in twilight through the orchard's green. Does it not seem as if we had for long collected, saved and harbored within us old memories? To find releases and seek new hopes, remembering half-forgotten joys, mingled with darkness coming from within, as we randomly voice our thoughts aloud wandering beneath these harvest-laden trees reminiscent of Durer woodcuts, branches which, bent under the fully ripened fruit, wait patiently, trying to outlast, to serve another season's hundred days of toil, straining, uncomplaining, by not breaking but succeeding, even though the burden should at times seem almost past endurance. Not to falter! Not to be found wanting! Thus must it be, when willingly you strive throughout a long and uncomplaining life, committed to one goal: to give yourself! And silently to grow and to bear fruit. This work is a unique original work of art - Painting by Eliza Matica (Romania), Oil on Canvas. The work has a rectangular shape, Its dimensions are 79x58x5 cm. The artist's signature is present on the artwork. This artwork is framed
Painting:Oil on Canvas
Original:One-of-a-kind Artwork
Size:22.8 W x 30.7 H x 2 D in
Frame:Gold
Ready to Hang:Not applicable
Packaging:Ships in a Box
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:Romania.
Customs:Shipments from Romania may experience delays due to country's regulations for exporting valuable artworks.
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Romania
All my paintings have in common a mental reality, not a physical one. I am against painting that is based only on observation and theory, painting as if done by robot, painting that has the safety net of theories in painting. I want to explain what and how I paint, I will define it as a relationship between a mode of observation (internal and external) and a way of expressing it. This is the answer for which some works need to express the idea of figurative, others go to abstract or symbols and each one needs a different way to be realized. I do not paint a landscape, idea, theme, in an established pictorial way, I do not follow the theories and clearly established criteria. Depending on the psychological state of what I want to express, then I use one of many modes of expression in painting. In painting you can use color and size not only according to the physical reality, but also according to the mental reality. I am convinced that everyone had the surprise to find and find in places that have a different outline and other physical and emotional dimensions. After a while, longer or shorter, the fountain from which the water once drank changed its size. I do not paint with the same emotion, but under an emotional complex, this is why some works are intuitive, others are strongly rationalized. In each paper I had to tolerate the uncertainty, not knowing where the idea goes, to change the way the subject is played. There were quick endings, but there were also roads that closed and I had to resume and investigate what I want and I like the search. I tried to formulate what happens when I stand in front of a canvas, without exposing all the "cognitive maneuvers", the interpretation is left to those who regard, the benefit is both. This is what those who have already started digesting my paintings from the three years since I woke up in painting know this. So let's see outside what is not foreign to us inside!
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