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In February 2005 I stayed with a friend in a Hotel in Paris. This is the starting point of this painting.
With surreal and abstract elements I expand this base situation and increased so the level of narration. There are symbolic connections between the real situation pictured in the painting and the imagination, between the here and now and the future, between the depicted person and the recipent of the painting itself.
Everything is in a floating state at the boarder to become adult. The painting tells us about self-reflection in an age where everything seams still possible and an increasingly seriousness is nevertheless noticeably.
In February 2005 I stayed with a friend in a Hotel in Paris. This is the starting point of this painting.
With surreal and abstract elements I expand this base situation and increased so the level of narration. There are symbolic connections between the real situation pictured in the painting and the imagination, between the here and now and the future, between the depicted person and the recipent of the painting itself.
Everything is in a floating state at the boarder to become adult. The painting tells us about self-reflection in an age where everything seams still possible and an increasingly seriousness is nevertheless noticeably.
In February 2005 I stayed with a friend in a Hotel in Paris. This is the starting point of this painting.
With surreal and abstract elements I expand this base situation and increased so the level of narration. There are symbolic connections between the real situation pictured in the painting and the imagination, between the here and now and the future, between the depicted person and the recipent of the painting itself.
Everything is in a floating state at the boarder to become adult. The painting tells us about self-reflection in an age where everything seams still possible and an increasingly seriousness is nevertheless noticeably.
In February 2005 I stayed with a friend in a Hotel in Paris. This is the starting point of this painting.
With surreal and abstract elements I expand this base situation and increased so the level of narration. There are symbolic connections between the real situation pictured in the painting and the imagination, between the here and now and the future, between the depicted person and the recipent of the painting itself.
Everything is in a floating state at the boarder to become adult. The painting tells us about self-reflection in an age where everything seams still possible and an increasingly seriousness is nevertheless noticeably.
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“Other Worlds“
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“Other Worlds“ Painting

Matthias Pilsl

Germany

Painting, Oil on Canvas

Size: 47.2 W x 63 H x 1.4 D in

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About The Artwork

In February 2005 I stayed with a friend in a Hotel in Paris. This is the starting point of this painting. With surreal and abstract elements I expand this base situation and increased so the level of narration. There are symbolic connections between the real situation pictured in the painting and the imagination, between the here and now and the future, between the depicted person and the recipent of the painting itself. Everything is in a floating state at the boarder to become adult. The painting tells us about self-reflection in an age where everything seams still possible and an increasingly seriousness is nevertheless noticeably.

Details & Dimensions

Painting:Oil on Canvas

Original:One-of-a-kind Artwork

Size:47.2 W x 63 H x 1.4 D in

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Matthias Pilsl was born in 1980 – he currently works and lives in Stuttgart, Germany. In his work his intension is to explore the essence of composition. His deep engagement concernes not only the painterly composition which behaves coherent to the content-related discussion of the painting. It is the relationship between the whole and its parts – the echo from the perception of all senses – which reassemble in an abstract image at any moment in our lifetime. “We all are at any time in relationship” , the artist stated. Be it spatial, cognitive or in larger contexts – every moment generates a individual code. To get closer to this idea, the paintings from Matthias Pilsl are on the one hand characterized by conciously set elements and randomly placed parts on the other. Established features and recurring elements clash on fresh progressive components. He deals with a variety of classical subjects from the history of painting and integrates contemporary media such as computer, printing and photography through the whole draft process of the Artwork.

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