Over the mountains (Sobre las montañas) Painting

Having space and time as central axes, the work transits the expansion of the form through the fabric arranged by the support and the dimension of the painting, giving rise to sensitive universes, emphasizing the human presence in the meticulousness and craftsmanship of the execution, the resulting images establish a relation with a macro and microscopic realism, while the act of painting dialogues with abstract expressionism and it's search for individual freedom. The visual information is gathered on the support, through a constant superposition and interweaving of organic forms, originating systems in tension with space. These two axes converge in an aesthetic search whose objective is to face the anxiety in front of the These two axes converge in an aesthetic search whose objective is to face the anxiety in front of the cosmic anguish of inhabiting a multiple reality whose factors (time, life, creation, consciousness, matter) we will never fully understand because of human's fragile nature in front of an immeasurable universe.