"Pájaro verde" Painting

"When one talks about the work of José Carlos Velayarse, it is used to define it with the informalist term, which was adopted to refer to lyrical abstraction, opposed to the tendencies closest to cubism or to the geometric rigor of neoplasticism.However, I would like to approach - if necessary - a more pertinent definition, where the term informal art coined by Michel Tapié or other art (art autre), on non-geometric abstract art, may be the area where our young artist inquires. About the noise and music that the artist has declared as part of his process, it is good to remember that Henri Matisse was a violinist, like Paul Klee. JODE is a salsa percussionist and manages to identify more colors than forms "since I am a percussionist and in Matter of colors could interpret it with blows ", making it clear that his perception reacts to the sensations that the sound provokes." It seems to me that the field i Dentifico with the orange color, I do not know why, and the sea with green or blue colors, I identify the silence with the lead color, I do not know why ... "Kandinsky's famous compositions were, in fact, symphonic paintings, Majority of Russian authors. JODE speaks with violence of the traces of its existence "with involuntary or often harmful irruptions that dissolve in flashes of light, in the consequent precipitate images and in drawings formed by liquid throwing while still present as source, or even as part , Of energy. "These paintings project what the same artist ventures as" a shabby style ". It is this unstable relationship - almost always invisible - of the parts with everything that anticipates zigzags, symbols and blemishes. JODE goes beyond the margins of his paintings, escapes the time that continues forming barriers or interior blocks. Invisible has become visible because Lima has been a long time that is not gray, and that JODE ". Carlos Tolentino Giuria.