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View In My Room
Painting, Acrylic on Canvas
Size: 104.3 W x 59.1 H x 0.1 D in
Ships in a Tube
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Alejandro Méndez, was born in in Chile, 1968. At 18, he entered the School of Art of the Pontificia Universidad Católica in Santiago. At the Lo Contador Campus, he was a student of José Balmes, Gonzalo Cienfuegos, Hernán Miranda, Roser Bru, among others. His Color Theory teachers were Eduardo Vilches who taught him color and guided him to understand and master their interactions. In the theoretical discourse, Gaspar Galaz and Milan Ivelic. In 2015 - 2016, she carried out art tutorials with the visual artist Arturo Duclos, experiences that would serve as a prelude to prepare her university degree which she carries out in 2018 being rated Maximum Distinction obtaining the title of Bachelor of Art. Since then, he has been engaged in the production of his body of work participating in physical and virtual exhibitions and exhibitions, interviews, collaborations in cultural activities and development of educational content on his Internet channel. Parallel to all this, he develop art videos of expression through virtual tools based on photographs of the same pictorial works.
2018
Acrylic on Canvas
One-of-a-kind Artwork
104.3 W x 59.1 H x 0.1 D in
Not Framed
No
Ships Rolled in a Tube
Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Ships rolled in a tube. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Chile.
Shipments from Chile may experience delays due to country's regulations for exporting valuable artworks.
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"From Pain to Love" My work is the result of an artistic process that leads me towards self-discovery and personal growth. Visually, it manifests as the creation of dreamlike worlds, inner landscapes, and enigmatic, inspiring compositions. These elements accompany me on a journey through intricate visuality. Expression and abstraction drive my visual language. I begin with the primal impulse, the primitive expression of charcoal, and then develop each piece with countless paint details. In my studio, I find a moment to reflect on life experiences while I immerse myself in my craft of painting. Creativity and intuition are my constant companions, keeping me in a latent state in front of the canvas and turning those memories into creative fuel. The energy and motivation I employ in this process are immense, as is the need for speed, fostering spontaneity and expression that come from my creative subconscious. Between music and silence, I undergo an active meditation through which I externalize the messages and memories that arise from within to make them conscious and imprint them on the canvas. From a formal perspective, I seek to distance myself from figuration, focusing on enhancing the richness of the materials and endowing them with the aesthetic and plastic value they inherently possess. I manage to capture these inspirations on the canvas by infusing my energy and passion for the visual into each stroke, admiring them as a vital record that has evolved from complex experiences towards hope. This process is an emotional and rational transaction that, as an artist, I have learned to handle and navigate from the realm of art. The images that emerge in my works gradually acquire a hidden meaning, constructing a living and palpable narrative that I transfer to the canvas. These scenes are microcosms but also powerful signals that guide observation and awaken the viewer's imagination. As I build a body of work with my canvases and brushes, painted with skill and the utmost respect for painting, I have ultimately succeeded in moving from Pain to Love.
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