Paleo Mask 01 Painting

My work is never linked to any one technique or media that defines or articulates an artistic practice, but it stems from specific interests that arise from power – driven situations in art and culture; and in that sense, it stems from human conditions; political, economical and biological. I deem the image or the artistic object as a meeting place with the others, as a terrain for thought where the subject is in constant redefinition of itself. I am not interested in the complete, powerful master narratives. On the contrary I am more intrigued by the debris they leave on the margins. Thus, some notions appear repeatedly throughout my work, such as otherness, limits and void. Furthermore, I focus on the corners where the subject is placed by action of master narratives in society. Therefore, art is for me linked to a state of frailty inasmuch as it evidences how precarious humanity and the systems it creates are.