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"Passeggiata serale" Painting

Niccolò Leto, Italy

Painting, Oil on Canvas

15.7 W x 11.8 H in

Ships in a Crate

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ABOUT THE ARTWORK
DETAILS AND DIMENSIONS
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The painting shows a view in the evening light of the walk we often take in the vicinity of my home. I’ve tried to convey the freshness of the spring grass and the budding leaves on the oaks.

Year Created:

2013

Subject:
Mediums:

Painting, Oil on Canvas

Rarity:

One-of-a-kind Artwork

Size:

15.7 W x 11.8 H x 0.2 D in

Ready to Hang:

Not Applicable

Frame:

Not Framed

Authenticity:

Certificate is Included

Packaging:

Ships in a Crate

Delivery Cost:

Shipping is included in price.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

Free returns within 14 days of delivery. Visit our help section for more information.

Handling:

Ships in a wooden crate for additional protection of heavy or oversized artworks. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.

Ships From:

Italy.

Customs:

Shipments from Italy may experience delays due to country's regulations for exporting valuable artworks.

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Need more information?

Educated in England, I trained as an art restorer in Italy, first in Venice and then in Rome subsequently working on a variety of different artifacts. After many years in Tuscany I am now based in Campania. Though I drew from an early age, I approached painting only in the recent years calling upon the knowledge of the use of colour, the techniques of the old masters and the behavior of different materials. As a nature lover, landscapes are my preferred subject, rarely “contaminated” by the presence of mankind. In easel paintings I work from a neutral ground (which often acts as a medium tone ) juxtapositioning thin oil colour without any glazing, usually using a single dagger brush. In murals I work with fluid acrylic colour on a white luminous ground producing a mat gauche o tempera effect. Recently I discovered the pleasure of painting on wood using reclaimed door panels, gratifying also for my belief in the coalition economy-ecology. This however limits me to small formats where, not wanting to lose any feature, I inevitably use much detail. Contradictorily, having a keen interest in architecture and interiors, I particularly enjoy the larger scale of murals and trompe l’oeils which have a greater visual impact, enhancing and integrated in their environment. Occasionally I also do sculptural work where the theme is invariably inspired by nature. I prefer working with commissions, necessary of course for murals or trompe l’oeils.

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