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Pegasus, Eos, Dawn
figurative art, realism art, female figure, animal, myth

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Pegasus and Eos, the Goddes of Dawn Painting

Alexey Glazunov

Ukraine

Painting, Oil on Canvas

Size: 82.7 W x 51.2 H x 1.2 D in

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ABOUT THE ARTWORK

Love can be both tender and sad. This is about Eos. By the mockery of gods, she, immortal and eternally young, is doomed to fall in love with mortals, to observe the advance of their old age and their quietus. A friend can be taken away. This is about Pegasus. By the trick of Zeus, he threw off his one and only rider Bellerophon. Pegasus and Eos ... Both were born at the waterhead of the Ocean, however rose up to Heaven. He, being the embodiment of speed and strength, she, – of unfading beauty and bashful passion. The freedom-loving deity-horse and sister of the Sun, both becoming hostages to the will of the gods. They are related by the incompatible – quiet sadness and thirst for life. And let Pegasus prance among the muses and bring the lightnings to Zeus in the day time, and let Eos hopefully gaze into the faces of strangers, every night in the light of Venus they will meet again and begin their magnificent move to fulfill their unique destiny ... In 2017 this painting was exhibited in the museum of Lee Kezhang, Beijing, China. In 2018 this painting "Pegasus and Eos, the Goddes of Dawn" has qualified as one of the finalists in the most prestigious realist art competition in the Americas – the 13th International ARC Salon Competition.

DETAILS AND DIMENSIONS
Painting:

Oil on Canvas

Original:

One-of-a-kind Artwork

Size:

82.7 W x 51.2 H x 1.2 D in

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Alexey Glazunov – artist – painter – muralist. Born on April 14, 1984 in Kiev, Ukraine, he received his early foundation in painting at Taras Shevchenko State Art High School. In 2002 he entered the faculty of painting and composition at the National Academy of Fine Arts and Architecture, Kiev. Since 2005, he studied at the faculty of monumental painting of the National Academy of Fine Arts and Architecture (with Professor Kozhekov A.V.) In 2008 he completed his Master's degree in fine and decorative arts, monumental painting at the above-mentioned Academy. From 2008 to 2013, he worked on the creation of decorative mural paintings in private and public interiors, among other he participated in the ceiling painting of the Grand Hall at the Riviera Hotel, Kiev. In 2011, the 1st place for the best thematic work at the exhibition MARTS-2011"Picnic on the Roadside" (Kiev) was awarded to his picture “The Dawn. Meeting of Two Worlds”. Since 2012, he worked mainly in the field of monumental painting, including his participation in the painting of murals at the Zverinetsky Monastery in Kiev – Byzantine style of the XII century; at the church of Life-Giving Spring in Odessa – Old Russian style of the XIV-XV centuries; at the New Jerusalem Monastery (restoration of cultural heritage of national importance, Istra, Russia) – Baroque style. Since 2014, he became a member of the monumental section at the National Union of Artists of Ukraine. In 2014, the President of the State of Palestine, Mahmoud Abbas, awarded a gold medal for his participation in the international project "The Heart of the World", Bethlehem, Palestine (co-authored with Jamal Badwan, Danyil Green, Valeriy Goleiko, Daria Marchenko). The monumental painting "The Heart of the World" was exhibited in Bethlehem and Kiev. In 2015 he participated in the collaborative project "Day 8" – the picture was exhibited at the National Museum of the History of Ukraine, Kiev. In 2016 he was awarded by the Metropolitan of Odessa and Izmail, Agafangel, for the cultural contribution to the monumental decoration of the Ascension of the Lord Church, the village of Nerubayskoe (where he acted as the main artist and the developer of monumental compositions and ornamentals) – the academic style of the late XIX – early XX centuries using Byzantine and Old Russian ornamental traditions. In 2017 he took part in the group international painting exhibition "The Source of Creativity" in the museum of Lee Kezhang, Beijing, China.

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