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Platinum Sea (Marconi No.2)
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Platinum Sea (Marconi No.2) Painting

Edie Nadelhaft

United States

Painting, Oil on Canvas

Size: 30 W x 30 H x 1.5 D in

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About The Artwork

From the "Platinum Sea" series: a new body of work depicting fragments of the surface of the ocean rendered in an extremely limited palette composed almost entirely of indigo, red and white. The imagery comes from my own digital photographs through which I am able to capture a level of detail or moment in time that is not accessible through casual observation. My focus is explicitly on the physical aspects of the water, hence the neutral color. To this end, I am exploring the expressive capacity of a palette that, despite its austerity, yields a surprisingly complex and subtle tonal range. In these works as in my earlier paintings, I use the camera and digital editing to explore the physical world inch by inch, so to speak, identifying and isolating "events" or phrases within the larger context that are at once intimate and universal, timeless and ephemeral.

Details & Dimensions

Painting:Oil on Canvas

Original:One-of-a-kind Artwork

Size:30 W x 30 H x 1.5 D in

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Edie Nadelhaft is a New York City-based artist and avid motorcyclist whose lush, visceral oil paintings and slick, technology-inspired sculpture have been exhibited at museums, art fairs and galleries throughout North America, and internationally in Taiwan, Shanghai and Basel, Switzerland. Recent exhibitions include Give Me Some Skin (group, Sugarlift Gallery, NYC, 2021), Evening in America (solo, Lyons Wier Gallery, NYC, 2020), One For The Road (2 person, Frosch & Portmann, NYC, 2018), and Surface Tension (solo, William Scott Gallery, Provincetown, MA, 2016), The Contemporary Realism Biennial (Fort Wayne Museum of Art, Fort Wayne, IN, 2014), and Face to Face, Wall to Wall, a survey of trends in contemporary portraiture (Yellowstone Art Museum, Billings, MT, 2014). Ms. Nadelhaft’s work is in the permanent collection of The Ford Foundation (New York, NY), The University of New Mexico Health Sciences Center, (Albuquerque, NM) and Falconworks Theatre for Social Change, (Red Hook, NY). Her work has been published in The American Scholar (June 2017), Domino Magazine (Fall 2015), Juxtapoz (June 2014), Hi-Fructose (May 2014), The New York Times (July 2009), The Washington Post (October 2012) and Wall Street International (August 2014) among others. Awards & residencies include The Artist in Residence at The Visible Vault, Yellowstone Art Museum, (Billings, MT, 2015), Platte Clove Artist-In-Residency, Catskill Center for Conservation and Development, (Platte Clove, NY, 2008), Fine Arts Painting Department Merit Award, Massachusetts College of Art, (Boston, MA, 1995) and the Combined Jewish Philanthropies Academic Scholarship, (Boston, MA, 1994). Born and raised in Pittsburgh, PA, Ms Nadelhaft studied painting and art history at SUNY Purchase and The School of the Museum of Fine Arts in Boston, and received her BFA with honors (painting, 1995) from The Massachusetts College of Art & Design.

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