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Platinum Sea (Marconi No.2) Painting

Edie Nadelhaft

United States

Painting, Oil on Canvas

Size: 30 W x 30 H x 1.5 D in

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About The Artwork

Paintings from the Platinum Sea is an ongoing series of highly detailed paintings of fragments of the surface of the ocean in the Outer Cape. The water is described in a muted palette made up exclusively of red, white and indigo. I try to keep the color fairly neutral, bringing about subtle changes in "temperature" and tone through minute adjustments to the proportions of these 3 components. The perspective is extreme, often bringing the composition to the brink of abstraction (situational cues such as a horizon line or light source are intentionally cropped out). What remains is an unbounded section of sensual topography, the actual scale and orientation of which is unknowable and unimportant.

Details & Dimensions

Painting:Oil on Canvas

Original:One-of-a-kind Artwork

Size:30 W x 30 H x 1.5 D in

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Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Edie Nadelhaft is a New York City-based artist and avid motorcyclist whose lush, visceral oil paintings and slick, technology-inspired sculpture have been exhibited at museums, art fairs and galleries throughout North America, and internationally in Taiwan, Shanghai and Basel, Switzerland. Recent exhibitions include Peaks , FROSCH & CO, NYC, 2023), Love Junk at SPRING/BREAK (NYC, 2022), We Ain't Goin' Nowhere (solo, Kasper Contemporary, NY, 2022),Give Me Some Skin (group, Sugarlift Gallery, NYC, 2021), Evening in America (solo, Lyons Wier Gallery, NYC, 2020), One For The Road (2 person, Frosch & Portmann, NYC, 2018), and Surface Tension (solo, William Scott Gallery, Provincetown, MA, 2016), The Contemporary Realism Biennial (Fort Wayne Museum of Art, Fort Wayne, IN, 2014), and Face to Face, Wall to Wall, a survey of trends in contemporary portraiture (Yellowstone Art Museum, Billings, MT, 2014). Ms. Nadelhaft’s work is in the permanent collection of The Ford Foundation (New York, NY), The University of New Mexico Health Sciences Center, (Albuquerque, NM) and Falconworks Theatre for Social Change, (Red Hook, NY). Her work has been published in The American Scholar (June 2017), Domino Magazine (Fall 2015), Juxtapoz (June 2014), Hi-Fructose (May 2014), The New York Times (July 2009), The Washington Post (October 2012) and Wall Street International (August 2014) among others. Awards & residencies include The Edward F. Albee Foundation Fellowship (summer 2024), The Artist in Residence at The Visible Vault, Yellowstone Art Museum, (Billings, MT, 2015), Platte Clove Artist-In-Residency, Catskill Center for Conservation and Development, (Platte Clove, NY, 2008), Fine Arts Painting Department Merit Award, Massachusetts College of Art, (Boston, MA, 1995) and the Combined Jewish Philanthropies Academic Scholarship, (Boston, MA, 1994). Born and raised in Pittsburgh, PA, Ms Nadelhaft studied painting and art history at SUNY Purchase and The School of the Museum of Fine Arts in Boston, and received her BFA with honors (painting, 1995) from The Massachusetts College of Art & Design.

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