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"Portugal "TRAVELING AROUND EUROPE" SERIES" Painting

Maria Lapteva, Serbia

Painting, Acrylic on Paper

11.8 W x 15.7 H in

Ships in a Tube

This work will ship in a dent-resistant tube. Rolled works can easily be restretched. Read More

This artwork is not for sale.

ABOUT THE ARTWORK
DETAILS AND DIMENSIONS
SHIPPING AND RETURNS

I have never been to PORTUGAL, but I read a lot about this country and looked at the photos with interest. Dreaming of going there? Of course! I love Europe, as an artist, my eye rejoices every time.

Year Created:

2022

Subject:
Mediums:

Painting, Acrylic on Paper

Rarity:

One-of-a-kind Artwork

Size:

11.8 W x 15.7 H x 0.1 D in

Ready to Hang:

No

Frame:

Not Framed

Authenticity:

Certificate is Included

Packaging:

Ships Rolled in a Tube

Delivery Cost:

Shipping is included in price.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

Free returns within 14 days of delivery. Visit our help section for more information.

Handling:

Ships rolled in a tube. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.

Ships From:

Serbia.

Customs:

Shipments from Serbia may experience delays due to country's regulations for exporting valuable artworks.

Need more information?

Need more information?

I work at the intersection of art and craft. My tables and sculptures are acts of functional abstraction—compositions that inhabit not only the wall but also the cadence of everyday life. At the core of my practice are resin tubes—architectural modules through which I orchestrate rhythm, depth, and translucency. This visual language allows me to translate abstraction into matter, to stage a dialogue between the history of art and the immediacy of contemporary experience. Each collection is a conversation with the masters of abstraction. From Pollock I inherit the energy of gesture, from Rothko the abyss of color, from Mondrian the rigor of structure. I do not quote them; I respond to them—asking what abstraction means today, when it can be not only seen but also touched. My works blur the threshold between furniture and art. They are not mere surfaces for objects, but autonomous scores of light and color—living both in the intimacy of the home and the resonance of the gallery.

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