Possibility of shape 7 Painting

In this paintings I'm examining the relation between form and painting matter (substance, i.e. color). It is an experiment of form in which color and shape interact and where the movement (i.e. the emergence of form) occurs from the known to the unknown, from the conventional to the unconventional. In this painting experiment, which is based on the specificity of the painting substance, and in which the color is intensified in different ways due to the different density of the pigment in certain places, in the minimalistic intervention I try to obtain the optimal tension between color and form.