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Preposition II - In Solitude (Dog God) Painting

Adam Martin Disbrow

United States

Painting, Acrylic on Canvas

Size: 48 W x 36 H x 1.5 D in

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380 Views
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About The Artwork

The second painting in the Preposition Series, In Solitude (Dog God) is an expressionist representation of the place inside that is concealed, Isolated, indulgent, animalistic, and deeply personal. Sexuality and carnality are key elements of this piece. Symbolically, the Disbrow Cogs of Creation sit at the center of the canvas generating the content. The piece is heavily textured. It comes with hanging hardware attached and is ready to install upon delivery. Media include: Acrylic, Oil Stick, Aerosol, Archival Ink, Paper Collage, and 24k Gold Leaf.

Details & Dimensions

Painting:Acrylic on Canvas

Original:One-of-a-kind Artwork

Size:48 W x 36 H x 1.5 D in

Shipping & Returns

Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Adam Martin Disbrow is an American Expressionist painter with national exposure. His art addresses issues of relationships, spirituality, sexuality, duality, beauty, relativism, nature, and dominion. His paintings involve many layers and often include symbols of Disbrow's own creation and of historical significance. Also discernible in his work are heavy textures, interpretive colors, language, and formal techniques which combine to make each painting a unique statement. His intention is to create a free space for the mind and eye to express itself honestly. "My work is a conglomerate of the ubiquitous counterposed with rare, precious, or divine elements. By approaching a new piece in a state of “no mind” I  begin a work in an aleatoric way, adding specificity and objectivity as the piece develops so the work becomes a dynamic objective statement. My execution is recognizably influenced by Basquiat and Picasso, and more subtly by the work of Cy Twombly, Jasper Johns, Edvard Munch, Ha Chong Hyun, Pierre Soulages, Paul Gauguin, Henri Matisse, and Marc Chagall.  The paintings are a commentary on history and culture. They address current and ancient issues of relationship, spirituality, sexuality, beauty, divinity, relativism, nature, and dominion. Freedom, entropy, life, death, and time are key concepts of my work. I incorporate the use of symbols and language drawing upon classical and modern poetry and prose for inspiration. As the piece develops the language gets mostly covered. I love art because it is like a mirror that reveals deeper aspects of our nature by what we see and how it makes us feel.”

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