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Painting, Watercolor on Paper
Size: 31.3 W x 26.7 H x 2.5 D in
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One of a series of fantasy daylily paintings, with a complex, multi-layered background of swirls and lacy designs. Most paintings in this series, including this painting, contain a signature fern frond in its whimsical background. Daylilies are the main subject of each, and each pays homage to Asian culture through the hidden elements discovered in the work. The dragon in Pursuit of the Pearl was chosen because it is a major Chinese object of art, and the pearl represents the Chinese Pearl of Wisdom. And the original lilies were first located on the Chinese-Persian border. The entire painting was painted with traditional watercolors on 140 lb. Arches watercolor paper. Pursuit of the Pearl is professionally custom framed using conservation materials and methods. Please note: Framed originals shipped only in the contiguous U.S. Elsewhere, the original will be removed from the frame for shipping.
2020
Watercolor on Paper
One-of-a-kind Artwork
31.3 W x 26.7 H x 2.5 D in
Gold
Yes
Ships in a Box
Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
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After working many years in the corporate world, I changed careers in 1993, opening The Finishing Touch, a custom framing company which specialized in framing original art and antique prints. A few years later I began teaching a Matting and Framing class at the Middletown Art Center, and then added watercolor classes by Frank Martindell into my schedule. It was a perfect match. At heart, I am a landscape artist. My medium has always been watercolor. I do, however, appreciate many styles of painting, enjoy delving into new painting techniques, and learning varying styles. I believe an artist learns something of major importance from each instructor encountered. I have been fortunate to have many excellent instructors who have each left a lasting impression on my artistic style. I strongly feel the importance of passing down to others the techniques and knowledge of watercolor. This transition forms a fellowship between the artists of our day--not only from instructor to student, but also from student to student. It reminds me of the kinship I have read existed between the famous painters of 19th century Paris during their creative years as they painted and dined together, discussing their work and methods in the charming cafes of Paris. I am especially fond of the wonderful and picturesque barns of rural Ohio. Having spent many summer weeks on my grandmother’s and grandfather’s farm in Wisconsin during my childhood years, I have always been glad to see the large amount of farmlands still flourishing in our area. They bring back a flood of old memories—fun cousins playing together in grandmother’s yard, and the smells that emanated from her country kitchen. My late husband, Jim, and I often went on adventures we called “barning”, traveling local back country roads on long Sunday afternoon rides. Discovering interesting old barns and farms was the bonus that made the day successful, providing reference photos which become the basis of many watercolors.
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