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"Red town" Painting

Nguyen Xuan Anh, Vietnam

Painting, Oil on Wood

47.2 W x 47.2 H in

Ships in a Crate

This work will ship in a secure wooden crate. Read More

International shipping takes up to 10-14 business days

This artwork is not for sale.

ABOUT THE ARTWORK
DETAILS AND DIMENSIONS
SHIPPING AND RETURNS

Visual of my home town during contemporary time at one of Communism country. It could be look like peaceful but there are lots of problem we need face to face such as: pollution environment, urbanisation... Materials on painting are traditional Vietnamese lacquer on wood with gold leaf, silver leaf,...

Year Created:

2011

Subject:
Mediums:
Mediums:

Painting, Oil on Wood

Rarity:

One-of-a-kind Artwork

Size:

47.2 W x 47.2 H x 0.4 D in

Ready to Hang:

Not Applicable

Frame:

Not Framed

Authenticity:

Certificate is Included

Packaging:

Ships in a Crate

Delivery Cost:

Shipping is included in price.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

Free returns within 14 days of delivery. Visit our help section for more information.

Handling:

Ships in a wooden crate for additional protection of heavy or oversized artworks. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.

Ships From:

Vietnam.

Need more information?

Need more information?

I like East meets West culture. Many of my works display high-rise apartments and crowded streets, while in contrast, others depict landscapes of mountains and fields of moonlight. Some of my works have greater variations on displaying ethnic minorities. I have a widely used range of colours from the traditional lacquer colours of red, yellow and black, light green and silver in certain works. My current body of work explores the changing Vietnam, from traditional Vietnam consisting of ancient sacred structures to modern contemporary buildings. The relationships between traditional culture and modern culture is important in my work. Recently, I have been combining American abstract expressionism with Oriental calligraphy, as well as with the architecture of Vietnam in my artworks. I strive to capture the new Vietnam's internal feeling and quality as well as the external perception it generates. The external is perceived by the visible changing landscape, but the internal is held within my spirit. My spirit contains the power and aspiration and the concealed reality of what Vietnam can present to the world.

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