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Reflected Sky Painting

Jeremy Farmer

United Kingdom

Painting, Oil on Canvas

Size: 63.8 W x 39.4 H x 1.6 D in

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375 Views
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About The Artwork

Residing on the south west tip of Portugal, the huge windows of this contemporary piece of architecture face directly towards the Atlantic, reflecting the ever changing skies over the ocean. The soft billowing clouds inland contrast with the reflections of the disappearing sun on the horizon, giving rise to a palette of subtle yellows, pinks, greys, blues and violets. In considering the composition, Farmer, influenced by Mondrian’s abstract cubist based works, sought to emphasise the stark clean lines and flat planes of the architecture against the dramatic Atlantic skies.

Details & Dimensions

Painting:Oil on Canvas

Original:One-of-a-kind Artwork

Size:63.8 W x 39.4 H x 1.6 D in

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Jeremy Farmer was born in England and lives in London. His tastes in art are eclectic and constantly evolving. In the early part of his painting career, he was influenced by artists such as Hockney, Matisse, Picasso and Rembrandt and more recently by Richter, Katz, Mondrian and Friedrich. He is largely self-taught but has received invaluable instruction and encouragement from his fellow artists: Aris Raissis, Emma Thistleton, Andrew Macintosh, Will Ayres and Jeremy Dickinson at Delta Studios. The places of inspiration for Farmer’s work come from numerous family visits to Cornwall since early childhood. This provided him with an enduring love of the sea and the rugged coastline of North Cornwall. He has also drawn inspiration from a mountainous area in Lower Austria where his wife’s family come from and from extensive travel to more distant shores. Indeed, from these places, the sea, the land and the cityscape are recurring elements within his architectural compositions. Farmer says, “My work increasingly explores the concept of order versus disorder through the observation of structure, light and space and the organic, chaotic world of nature. I always look to experiment and am developing this current line of work towards the semi-abstraction.” In Farmer’s earlier works, he painted almost exclusively in acrylic on canvas, but over the last few years has moved back into oils. The layering of paint is key to the build up of the architectural compositions and the oil medium allows him to achieve a much greater depth and range in colour and texture, and in light and shade. His work is held in private collections in the UK, Austria and the USA.

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