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Rimini, etching stamp on rosaspina paper, cm 50 x 15 Painting

Pietro Anceschi

Italy

Painting, Aquatint on Paper

Size: 5.9 W x 19.6 H x 0.1 D in

Ships in a Crate

This artwork is not for sale.

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ABOUT THE ARTWORK
DETAILS AND DIMENSIONS
SHIPPING AND RETURNS

Etching stamp on rosaspina paper, cm 50 x 15. Limited run of 70 pieces. Autographed on the right bottom side.

Year Created:

2016

Subject:
Mediums:

Painting, Aquatint on Paper

Rarity:

One-of-a-kind Artwork

Size:

5.9 W x 19.6 H x 0.1 D in

Ready to Hang:

Not Applicable

Frame:

Not Framed

Authenticity:

Certificate is Included

Packaging:

Ships in a Crate

Delivery Cost:

Shipping is included in price.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

Free returns within 14 days of delivery. Visit our help section for more information.

Handling:

Ships in a wooden crate for additional protection of heavy or oversized artworks. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.

Ships From:

Italy.

Customs:

Shipments from Italy may experience delays due to country's regulations for exporting valuable artworks.

Need more information?

Need more information?

My name is Pietro Anceschi, born in Reggio Emilia in 1985. I'm a painter, engraver and street artist, graduate from “Istituto d’Arte G. Chierici” and from “Accademia di Belle Arti” in Bologna. ******* My career Pietro receives prestigious commissions from his municipality, where he carries out important wall paintings in occasions like requalification of institutional buildings, and influential companies in his area. ​November 2014 saw the launch of his first exhibition in collaboration with the “Biennale del Disegno” promoted by the city of Rimini, and since 2011 he displays his works at the annual exhibit “Fotografia Europea” which included him among the official artists of the event. ​ ******* My work His paintings stretches from Graffiti to Neoexpressionism, without neglecting further intuition. In the landscape he tries to polarize the perspectives, without twisting the foundations, but observing the world through deforming wide-angle lenses, still keeping the proportions appropriate and logical. As an engraver, he mostly works with the etching technique, proving to be skillful at drawing and at handling the various engraving techniques.

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