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Painting, Oil on Canvas
Size: 60.2 W x 40.6 H x 2 D in
Ships in a Crate
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"River Child" is the second painting of "A River Series" (2015) bringing focus to the figure and its immersion into the surrounding space. It is based from a photograph of my brother as a young child crouching in a riverbed with a dog at his feet. The aerial perspective creates an interesting illusion of space as the depths of the water recedes into a flat background. This was emphasized through varying tones of green and the exploration of larger versus smaller brushstrokes. Having started with the background, the central figure has become a by-product of an evolving atmosphere and is therefore, no more important than its surrounding space. "River Child" was selected for the Columbia Threadneedle Prize 2016 and toured to Palazzo Strossi in Florence.
2015
Oil on Canvas
One-of-a-kind Artwork
60.2 W x 40.6 H x 2 D in
Not Framed
Not applicable
Ships in a Crate
Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Ships in a wooden crate for additional protection of heavy or oversized artworks. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
United Kingdom.
Shipments from United Kingdom may experience delays due to country's regulations for exporting valuable artworks.
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New Zealand
I currently live in Christchurch, New Zealand. Statement: When examining my paintings, one will notice the frenetic energy that is present throughout the work. Upon investigating more closely, it will become apparent that this activity is the essence of each mark. In this sense, painting is a personal act that works to understand the subject. Whether the subject be that of the internal world of the artist or a literal form of the external world, it is the very translation of thought to form that ignites life within the painting. As an artist, I use oil paint as a medium to explore this kindred connection that exists between the mark and intent. Although my practice remains figurative, it must be stressed that the majority of my inspiration stems from an internal source, something that is not driven by the literal subject. This has resulted in an impasto application of oil paint where variables such as speed, force and motion activate endless possibilities within each mark. Painting has come to be about capturing what occurs within the present moment. Whether this is from within the time to mentally prepare and “enter into” the painting, to the physical contact made of brush onto canvas. The artwork itself is a result of a conducted spiritual process, where varying brushwork reflects the subtle layers of an authentic human response.
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