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"Enlightenment" Painting

Marina Klimanova, Kazakhstan

Painting, Oil on Canvas

66.9 W x 59.1 H in

Ships in a Tube

This work will ship in a dent-resistant tube. Rolled works can easily be restretched. Read More

$22,380

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The painting depicts a portrait of a man with pronounced symbolic details, Two teeth are sticking out of the mouth in different directions, the person is already elderly: One eye is open, the other is closed This is a key symbol of duality of perception.: Open eye — awareness, contact with the outsi...

Year Created:

2012

Subject:

Mediums:

Painting, Oil on Canvas

Rarity:

One-of-a-kind Artwork

Size:

66.9 W x 59.1 H x 0.1 D in

Ready to Hang:

No

Frame:

Not Framed

Authenticity:

Certificate is Included

Packaging:

Ships Rolled in a Tube

Delivery Cost:

Shipping is included in price.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

Free returns within 14 days of delivery. Visit our help section for more information.

Handling:

Ships rolled in a tube. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.

Ships From:

Kazakhstan.

Need more information?

Contact us.

Need more information?

Contact us.
Marina Klimanova

About the Artist

Marina Klimanova

Kazakhstan

ARTIST STATEMENT
I explore the borderland between tangible physical reality and the elusive digital world. I am the founder of the digital expressionism movement in wood, a wooden digital artistic style born at the intersection of conceptual oxymoron, archaic matter, and virtual code. At the core of my practice lies the clash of material warmth and digital noise. As my main medium, I deliberately choose wood — a living, tectonic material with its own memory and history. I subordinate its natural texture to the cold logic of modern technologies, forcing wood to imitate glitches (matrix errors), pixel grids, system glitches, and gadget screens.
My creative method is to translate ephemeral digital folklore (simulacra and bugs) into a monumental physical object. By transferring the visual markers of the era onto wood, I create a new hybrid language of plastic interaction. Here, the natural pattern of annual rings collides with the artificial geometry of pixels, forcing the viewer to rethink the concepts of “real” and “virtual.” My interior installations are not just a deconstruction of form. They are a fixation of the trauma and aesthetics of the digital environment through organic material. My digital expressionism humanizes the technological error, transforming a fleeting system failure into an eternal artifact carved in wood.

Recognition:

  • Artist featured in a collection

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