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THE PAINTING SECTION FROM DAVIS MUSEUM The Davis Lisboa Mini-Museum of Contemporary Art in Barcelona Davis Lisboa, "Robert Filliou #10", 2017, oil on canvas, 15,7 x 15,7 x 1.57 in (40 x 40 x 3,5 cm) The Soteris Argyrou Collection, Nicosia, Cyprus. What/who inspired the work? I was inspired by “La Galerie Légitime” [The Legitimate Gallery], by Robert Filliou. In 1962, he decided to remain outside of the gallery circuit and maintained to carry his gallery under his hat. His works, gathered together in his beret and stamped “Galerie Légitime Couvre Chef d’Oeuvre” [Legitimate Gallery Masterpiece Hat], circulated in the streets with him (an idea closely related to Marcel Duchamp’s suitcase). What do you hope its viewers will feel/think? I hope that viewers know that there is a narrative in Art History that deals with "the artists who have created their own museums". This discourse is constructed through Marcel Duchamp (Boîte-en-valise), Robert Filliou (Galerie Légitime) and Marcel Broodthaers (Musée d'Art Moderne, Départment des Aigles). To follow this line I founded The Davis Museum (www.davismuseum.com), the first and only museum of contemporary art created in a ballot box through Facebook in 2009. This cultural entity recognized by the Government of Catalonia (Spain) has several sections and one of them is "The Paintings Section From Davis Museum ". This wing is divided into portraits and still lifes. The portraits are about Marcel Duchamp, Robert Filliou and Marcel Broodthaers. Still lifes are about Boîte-en-valise, Galerie légitime and Musée d'Art Moderne, Départment des Aigles. Why did you choose the medium, frame, color? I chose the oil because it is a medium that allows a wide variety of tones and is very durable. As the Davis Museum is a cube, I chose the frame of the paintings to be square. And since the Davis Museum's brand color is blue and white, I chose to have the same color in the paintings. This is the only section of the museums in which the works are for sale. Support The Davis Museum art project by buying now this painting on Saatchi Art. How will your artwork be packed for a movement? Artwork will be guaranteed to be shipped in accordance with high security standards, so that your shipment is as safe as possible while traveling from the artist's studio to your museum, gallery, hotel, business or home. For this, your oil paintings on canvas will be sent unrolled, stretched out on a wooden frame, flat, without frames and any special assembly. The packaging of wrapped canvases consists of: · An acid-free archival quality glassine paper cover · Two sheets of Foam boards · A sealed heavy plastic bag (to protect against moisture) · Two layers of bubble wrap and secure with tape · Cardboard protectors to each corner of the oil painting · Two other larger sheets of Foam boards · A sturdy cardboard box marked as "Fragile" Davis Museum Paintings Section in Private Collections Alejandro Vásquez Herrero Collection, Viladecans, Spain. Daniel Marcoux Collection, Montreal, Canada. Francisco Torres Collection, Barcelona, Spain. Geert De Kegel Collection, Zele, Belgium. Soter Argyrou Collection, Nicosia, Cyprus. The Yellowstone Club Collection, Big Sky, Montana, USA.
Painting:Oil on Canvas
Size:15.7 W x 15.7 H x 1.6 D in
Packaging:Ships in a Box
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:Artist's studio in Spain.
Customs:Shipments from Spain may experience delays due to country's regulations for exporting valuable artworks.
My name is Davis Lisboa and I was born in São Paulo, Brazil (1965). I have studied Desenho de Comunicação at the ETE Carlos de Campos and Painting at the Centre d'Art i Disseny Escola Massana and at the Facultat de Belles Arts de la Universitat de Barcelona. Since 1982 I've been working as a storyboard artist creating storyboards for various advertising agencies in Brazil, Spain, Russia, England or the United States. In 1987 I moved to Barcelona, where I worked as a graphic illustrator in a design studio and two years later, I opened my own illustration and painting studio. In 2005 I began to hold exhibitions as an artistic, figurative and contemporary painter at art galleries, cultural centers and art museums, and in 2009, I created the Davis Museum | The Davis Lisboa Mini-Museum of Contemporary Art in Barcelona, a cultural entity recognized by the Generalitat de Catalunya, now, expanding my activity towards cultural management. I have participated in several exhibitions, including Museum Show at Arnolfini, Bristol, England; Eleven: The John Erickson Museum of Art (JEMA) 10 Year Retrospective at The Harn Museum of Art, Gainesville, USA and at the Galería Bob Rauschenberg, Fort Myers, USA; Remix - 10 years in the mix at the en la Spor Klübü, Berlin, Germany; Small, Unusual and Specialist Museums Survey at the CRATE Studio and Project Space, Margate, England; Incubarte at Centro del Carmen, Valencia, Spain; FluxFest 2019, Pride Mail Project and Big Ideas in Small Art at The Rose Shelton Gallery, Toronto, Canada; Aquí y Ahora 6 - Power, corruption & lies at the Galería Blanca Soto, Madrid, Spain; VI Biennale Internazionale dell'Arte Contemporanea di Firenze, Italy; Holland Art Fair, The Hague; La Secció de les Pintures del Davis Museum, at the Casa del LLibre, Barcelona, Spain; NeoLatinísiiimo Art Biennial at the City Lights Gallery, Bridgeport, Connecticut, USA; Mirades des del confinament, con Joan Fontcuberta, Festival Cruïlla, Òmnium Cultural, Igualada, España, among others.
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