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A view of the Venice roofs. The painting is  divided into three zones. The emerald strip of the sea contrasts with the central zone of red-orange dominant roofs and with the light white delicate architecture of St. Mark's Basilica. The painting conveys the proximity of the sea, the splendor and luxury of the city in the Lagoon.

«An orange gem resting on a blue glass plate: it’s Venice seen from above.» Henry James

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Roofs of Venice Painting

Elena Starostina

Germany

Painting, Oil on Canvas

Size: 47.2 W x 39.4 H x 0.8 D in

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ABOUT THE ARTWORK

A view of the Venice roofs. The painting is divided into three zones. The emerald strip of the sea contrasts with the central zone of red-orange dominant roofs and with the light white delicate architecture of St. Mark's Basilica. The painting conveys the proximity of the sea, the splendor and luxury of the city in the Lagoon. «An orange gem resting on a blue glass plate: it’s Venice seen from above.» Henry James

DETAILS AND DIMENSIONS
Painting:

Oil on Canvas

Original:

One-of-a-kind Artwork

Size:

47.2 W x 39.4 H x 0.8 D in

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Lightfull lightness is the key element of Elena Starostina paintings. Either garden flowers, city views and roofs or landscapes, gently brushstrokes evoke their timeless life-affirming tension and reduced color settings give an abstracted hint to reality, leaving room for the viewer to dream along in an flourishing impressionistic style, including dusky moods. Classical education, more applied, than academic, leads to casual nude paintings. Atmosphere of buildings is deepend with empathy for history by linking sentences and sources. Sensibility expresses in these paintings, which was experienced outdoor, thus they are artful, but not artificial. Dr. Phil. Dirk Tölke, art historian

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