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Rosetta #13 (Framed Abstract Contemporary) Painting

Guy Lyman

United States

Painting, Acrylic on Canvas

Size: 19 W x 25 H x 1 D in

Ships in a Box

SOLD
Originally listed for $1,865

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ABOUT THE ARTWORK

Comes framed and ready to hang. Artist’s Statement: “I have been working on more formal and restrained paintings lately, and decided to loosen up by revisiting a series I did a few years ago inspired by the work of Cy Twombly, Julian Schnabel and various other painters of gestural and somewhat graffiti-like strokes. Those were sold long ago. These new paintings incorporate an array of mediums; it's a very complex surface. I typically sell in New Orleans but have been keeping some work back to offer exclusively online in order to make it available to collectors elsewhere, lately including some European collectors I have enjoyed getting to know." “Lyman’s work evolves restlessly, with the common elements generally being deft and unusual color choices that balance assonance and dissonance, and vestiges of the hand and facture purposely left in the paintings. The negative space is often so meticulously worked that it’s almost as if the objects – usually simple shapes – are there as much to complement the background as vice versa. Despite the often bold colors there is an elegance about his paintings that prevents them from being loud or decorative. " Artbeit Zeitschrift

DETAILS AND DIMENSIONS
Painting:

Acrylic on Canvas

Original:

One-of-a-kind Artwork

Size:

19 W x 25 H x 1 D in

SHIPPING AND RETURNS
Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

I have been selling my art worldwide since around 1990. For eight years I had a gallery on Magazine Street in New Orleans; I sold it in 2019 and moved everything online - which is where things seemed to be headed. My paintings are in fine collections from Beirut, to London, to mansions in Aspen and the California wine country. But it's important to me that the prices not rise to where they are unaffordable for collectors who are not wealthy; so I try to keep them reasonable. My influences include Cy Twombly, Robert Rauschenberg, Julian Schnabel and Sean Scully. I have never been interested in the forms I choose for my paintings. I make quick decisions about them. What matters to me is surface quality, color, line quality, negative space. Sometimes the negative space is more important than the forms that push forward.

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