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San Francisco Sketches: Ferry Building Painting

Michelle Thomas

United States

Painting, Watercolor on Paper

Size: 12 W x 16 H x 0.1 D in

This artwork is not for sale.

33 Views

2

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link - Artist featured in a collection

Artist featured in a collection

ABOUT THE ARTWORK
DETAILS AND DIMENSIONS
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San Francisco begins the day foggy and brooding, then sits with journal and coffee, counting reasons to live, summoning bravery, gathering wits, and then she comes alive. In the span of 24 hours, she is bright and clear, then slinking and mysterious, hot, wet, cold, humid, parched, golden, silver, d...

Year Created:

2022

Subject:
Mediums:

Painting, Watercolor on Paper

Rarity:

One-of-a-kind Artwork

Size:

12 W x 16 H x 0.1 D in

Ready to Hang:

No

Frame:

Not Framed

Authenticity:

Certificate is Included

Packaging:

Ships in a Box

Outdoor Safe:

No

Delivery Cost:

Shipping is included in price.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

14-day return policy. Visit our help section for more information.

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Need more information?

Michelle Sindha Thomas is a California-based writer and artist whose award winning work contributes to international collections. Thomas grew up in Chicago's Riverview neighborhood and graduated with honors from The University of Missouri where she studied art education. While teaching high school, she earned a Master of Liberal Arts degree at Washington University in Saint Louis, completed with explorations into art, literature, and film analysis and culminating in a publication entitled "And Others: The Pursuit of Minority Creative Expression 1984-Present". She works in a variety of media and essays themes of memory, place, and identity. Artist's Statement: My mother decided to give birth in India. When I was exactly 30 days old, we flew thousands of miles away from the tropics to a bright, cold, Chicago spring. The immigrant's nature moves him. My parents were not of immigrant nature, yet by chance, by circumstance they landed in the US. Once they landed, it is true, they became movers, shakers, corporate gypsies, but only because they were searching for a fit; they were like puppies, circling, circling, circling, trying to find a comfortable spot in the world for our family. I am not of immigrant nature, though I also keep shifting restlessly. The immigrant seeks opportunity; I look for something that feels like home, a place of heat and a place of cold, look for people who understand, search for foods that taste like an Indian-Chicagoan childhood, the glazed strawberries and marzipan tart, a neighborhood enveloped in the scent of Brach's butterscotch by night. This is why restlessness remains my constant, and why, in my paintings, I seek to delineate that place, to have what the children of immigrants never really have, a place called HOME. Though there exists a place maybe I should call home. At the extremity of a continent, on the tip of a peninsula, there, where I was born, where my parents were born, my grandparents, and their parents were born--Kerala, a small Indian enclave of coconut palms and brainy, sassy wisecrackers and humble heroes. Though I have never lived there, when we visit I feel whole; we drink the water the dinosaurs and our great-great-great-great grandparents drank. I feel most at home in airports. The world is a big house, and the countries are rooms, and we can always go back. And forth.

Artist Recognition
Artist featured in a collection

Artist featured by Saatchi Art in a collection

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