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Painting, Oil on Canvas
Size: 14 W x 12 H x 2 D in
Ships in a Crate
280 Views
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San means mountain in Mandarin and coupled with Shui - water means landscape or literally mountain water. Harmony needs both the hard and the soft to be complete. The road here is Highway 1. This is a magnificent stretch of road that follows the California coast. The road is the reference to the r...
2011
Painting, Oil on Canvas
One-of-a-kind Artwork
14 W x 12 H x 2 D in
Not Applicable
Not Framed
Certificate is Included
Ships in a Crate
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Ships in a wooden crate for additional protection of heavy or oversized artworks. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
United States.
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United States
Russell Altice Case I started out at the School of the Art Institute of Chicago working with Elizabeth Rupprecht. She was a direct student of Hans Hoffman. (and later I worked with William T. Williams, a student of Al Held and also a student of Hoffman) My work within this lineage was informed by spatial and color field formal construction with lots of squares flying around. Though retinal painting became how my paintings "looked." Frank Stella's Working Space had made a strong case for perspective and volume and so like Kerry James Marshall I decided to hang the objects back on Cezanne's grid. Those objects that Hoffman had knocked off. I finished my formal studies with Lennart Anderson in NY. (himself a student of Edwin Dickinson alongside Al Held at the Art Student's League-- and I am delighted to live in a city that hosts Dickinson's masterpiece The Cello Player) This led me to pursue a more Venetian lineage. This was a line of gestural colorists, soft southern European edge painters from Velasquez and Titian to Chardin, Corot, Degas, Sickert, Morandi, and then for me Lennart.
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