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This painting has its origins in emancipators based on problematic geometries such as rhetoric, uncomfortable termini and manual experiments. Environments overlap the synthetic, pre-dominated formation, while the pseudo-realistic result inspires and mystifies the simulation of concurrences. The positions of the different shapes underline the complexity of it all. The painting was done by using acrylic colours and some markers. Thanks to the canvas being placed onto a wooden panel, the entire painting is ready to hang. A signature can be found at the back of the artwork
This painting has its origins in emancipators based on problematic geometries such as rhetoric, uncomfortable termini and manual experiments. Environments overlap the synthetic, pre-dominated formation, while the pseudo-realistic result inspires and mystifies the simulation of concurrences. The positions of the different shapes underline the complexity of it all. The painting was done by using acrylic colours and some markers. Thanks to the canvas being placed onto a wooden panel, the entire painting is ready to hang. A signature can be found at the back of the artwork
This painting has its origins in emancipators based on problematic geometries such as rhetoric, uncomfortable termini and manual experiments. Environments overlap the synthetic, pre-dominated formation, while the pseudo-realistic result inspires and mystifies the simulation of concurrences. The positions of the different shapes underline the complexity of it all. The painting was done by using acrylic colours and some markers. Thanks to the canvas being placed onto a wooden panel, the entire painting is ready to hang. A signature can be found at the back of the artwork
This painting has its origins in emancipators based on problematic geometries such as rhetoric, uncomfortable termini and manual experiments. Environments overlap the synthetic, pre-dominated formation, while the pseudo-realistic result inspires and mystifies the simulation of concurrences. The positions of the different shapes underline the complexity of it all. The painting was done by using acrylic colours and some markers. Thanks to the canvas being placed onto a wooden panel, the entire painting is ready to hang. A signature can be found at the back of the artwork
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Science behind geometry Painting

Daniel Unger

Germany

Painting, Acrylic on Canvas

Size: 19.7 W x 19.7 H x 0.6 D in

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About The Artwork

This painting has its origins in emancipators based on problematic geometries such as rhetoric, uncomfortable termini and manual experiments. Environments overlap the synthetic, pre-dominated formation, while the pseudo-realistic result inspires and mystifies the simulation of concurrences. The positions of the different shapes underline the complexity of it all. The painting was done by using acrylic colours and some markers. Thanks to the canvas being placed onto a wooden panel, the entire painting is ready to hang. A signature can be found at the back of the artwork

Details & Dimensions

Painting:Acrylic on Canvas

Original:One-of-a-kind Artwork

Size:19.7 W x 19.7 H x 0.6 D in

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Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Daniel Unger lives and works in Germany. Although Daniel‘s artworks are mostly made up of illustrations, drawings, sketches and paintings, he also delves into the creation of small, surreal animations and other motion design projects. His main source of inspiration were the works of many outsider artists, such as Mark Beyer or Sam Steinberg. Daniel successfully completed both the BA in „Communication design“ in Germany and the MA in „Visual and digital communications“ in England. His arworks were shown in exhibitions in Berlin, Germany and Wolverhampton, England. His latest works were part of the ANIMA MUNDI festival in Venice, Italy.

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