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Segmented Reality dyptych 2 Painting

Tony Belobrajdic

Australia

Painting, Acrylic on Canvas

Size: 83.5 W x 69.3 H x 0.1 D in

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$5,950USD

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About The Artwork

Painted on heavy duty loose canvas. Based on sketches and compositional watercolour studies exploring the beauty and imperfection of human body. Like the previous dyptych from the same group, this painting has been influenced by Shostakovich's Symphony No.7 in C major, also called Leningrad. There is no explanation why this painting is a result of that particular symphony. It was finished in few intensive days, with little overpainting and few corrections. Painted mostly in 'alla prima' impressionistic style. It can be displayed very simply, pinned on wall, or hanging off rails. If framing is preferred option, float framing would be a good choice. Suggested option of framing is in picture gallery. It can be, but not necessarily, framed under glass or it can be stretched on a wooden frame. Painting will be rolled posted in a large diameter cardboard tube. Artwork has been protected with a thin layer of Krylon UV Archival satin varnish. It is the best quality non yellowing varnish to protect agains fading, dirt, moisture and discolouration.

Details & Dimensions

Multi-paneled Painting:Acrylic on Canvas

Original:One-of-a-kind Artwork

Size:83.5 W x 69.3 H x 0.1 D in

Number of Panels:2

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Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Born in Croatia in 1958, Tony Belobrajdic is a Sydney based figurative artist. He started exhibiting in the late seventies and had his first solo show in 1983 in Croatia. Tony moved to New York in 1987 where he continued his art practice. He exhibits both in Sydney and Europe regularly. Acrylics, watercolours and oils have been the mediums of choice. Etchings is the latest medium being explored and studied with a great passion. His style could be described as contemporary impressionism, mostly portraits and figures. Tony's artwork demonstrates distinct freedom using spontaneous brushstrokes and vivid colours. He combines layered figuration of human forms put in abstract situations.

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