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Painting, Oil on Canvas
Size: 16 W x 20 H x 0.7 D in
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34 Views
6
There is no doubt that most people with such kind of injury will search for a qualified help. But this artwork is intended for clarification of the bigger problem. A lot of people are avoiding doctors with simple respiratory diseases. The neighbour once said that antibiotic X helped her with that. Ok, great! I'll get it as well! But have you ever thought that most common consequences of self-treatment are allergic reactions (84.3%), angioedema (21.5%), anaphylaxis (5.2%), damage to central nervous system (4.2%) and digestive system (3.1%). And the most significant side effect is antibiotic resistance. This problem causes 700 000 deaths every year. The level of self-prescribing antibiotics is surged to a record high in Ukraine. Due to pandemics the sales of antibiotics on the market have grown tremendously. Oil on canvas, plasters. 54*44 cm framed
2021
Oil on Canvas
One-of-a-kind Artwork
16 W x 20 H x 0.7 D in
Brown
Yes
Ships in a Box
Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Portugal.
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Portugal
Ellaya Yefymova (b. 1990, Ukraine) is a dark artist whose work fuses her medical background with a deep appreciation for science, art, and the human body. Her artistic journey began in 2020, sparked by global lockdown and a period of maternity leave, which allowed her to reassess her goals and fulfill her lifelong dream of becoming an artist. In 2020 she was a nominee for Portal Art prize (Kyiv, Ukraine), in 2021 - for Art Gemini prize (London, UK). In 2023, she participated in the London Art Biennale. Following the outbreak of war in 2022, Ellaya relocated to Lisbon, Portugal, where her work began to delve into themes of mortality and the perception of death as a powerful motivation to live this life consciously. Influenced by the concept of vanitas, Ellaya explores the transience of life and the inevitability of death. Unlike the allegorical art of Baroque vanitas, which often concealed symbolic meanings, her work is more direct, offering reflections on mortality without romanticizing death, but also without frightening by it. Her aim is to reinterpret the Memento Mori tradition with a modern lens, layering it with new meaning. Ellaya views art as a universal language capable of uniting people. She believes it is time for humanity to cease wasting lives and resources on wars and instead focus on technological, emotional, and personal evolution - to finally become a better version of humans - “humans 2.0.”
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