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A dismal day in Spring, when the coast is normally bathed in the warmth of the sun and bustling with activity, meant the artist had the beach all to herself as she strolled along the water's edge, lost in thought yet keenly observing the dulled coastal colours.  This painting is the result of that day, with textured paste underlying the colours to add depth and interest to the muted colour palette.  The sides have been painted black, throwing all attention to the front.
A dismal day in Spring, when the coast is normally bathed in the warmth of the sun and bustling with activity, meant the artist had the beach all to herself as she strolled along the water's edge, lost in thought yet keenly observing the dulled coastal colours.  This painting is the result of that day, with textured paste underlying the colours to add depth and interest to the muted colour palette.  The sides have been painted black, throwing all attention to the front.
A dismal day in Spring, when the coast is normally bathed in the warmth of the sun and bustling with activity, meant the artist had the beach all to herself as she strolled along the water's edge, lost in thought yet keenly observing the dulled coastal colours.  This painting is the result of that day, with textured paste underlying the colours to add depth and interest to the muted colour palette.  The sides have been painted black, throwing all attention to the front.
A dismal day in Spring, when the coast is normally bathed in the warmth of the sun and bustling with activity, meant the artist had the beach all to herself as she strolled along the water's edge, lost in thought yet keenly observing the dulled coastal colours.  This painting is the result of that day, with textured paste underlying the colours to add depth and interest to the muted colour palette.  The sides have been painted black, throwing all attention to the front.
A dismal day in Spring, when the coast is normally bathed in the warmth of the sun and bustling with activity, meant the artist had the beach all to herself as she strolled along the water's edge, lost in thought yet keenly observing the dulled coastal colours.  This painting is the result of that day, with textured paste underlying the colours to add depth and interest to the muted colour palette.  The sides have been painted black, throwing all attention to the front.

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View In My Room

Serenity in Solitude Painting

Brigitte Ackland

Australia

Painting, Acrylic on Canvas

Size: 49.2 W x 35.4 H x 1 D in

Ships in a Crate

SOLD
Originally listed for $1,370

43 Views

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ABOUT THE ARTWORK

A dismal day in Spring, when the coast is normally bathed in the warmth of the sun and bustling with activity, meant the artist had the beach all to herself as she strolled along the water's edge, lost in thought yet keenly observing the dulled coastal colours. This painting is the result of that day, with textured paste underlying the colours to add depth and interest to the muted colour palette. The sides have been painted black, throwing all attention to the front.

DETAILS AND DIMENSIONS
Painting:

Acrylic on Canvas

Original:

One-of-a-kind Artwork

Size:

49.2 W x 35.4 H x 1 D in

SHIPPING AND RETURNS
Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Hello fellow artists and art lovers, my name is Brigitte Ackland, I am a full-time artist living and working along the glorious coast of Western Australia. (Please follow me: Instagram: brigittesartwork and see videos of my artwork.) I cannot remember a time when I haven't expressed myself creatively: whether through painting, drawing, sculpture, mosaics, or photography. My motto in life: If I’m not creating, I’m not living! At 19, I attended Ravensbourne College of Art & Design in Kent, UK for my BA in Fine Art but, for personal reasons, quit half-way through my course. This didn't mean my artistic journey ended there, far from it! While at Art College, I discovered a love of photography and made full use of the darkroom facilities, creating abstract prints which further developed my artistic eye. Today, my camera has become a trusty tool of my trade, so when I'm not painting in my art studio, I take my Nikon with me everywhere to capture anything which catches my eye, adding to my vast library of images. I take these images a step further, by playing around with them in Photoshop, which provides me with new and exciting ideas for my paintings. After leaving Art College, most of my artistic training became self-taught. In my mid-20s, I attended an exhibition featuring a ceramic artist who greatly inspired me. Lucky for me, she also ran classes teaching her modern painting techniques, which I enrolled in. I took this a step further, when I learned how to create moulds for casting sculpture and jewellery, which I then handpainted using abstract motifs, highlighted with 22carat gold. My intense need to be creative has often led me to experiment with many different mediums and this is just one example. For 5 years, I was a full-time ceramic and mosaic artist. At 30, I travelled to Perth, Western Australia after I was commissioned by my brother to paint and decorate his entire house, using stencils I designed and hand cut to add artistic flair and drama to each room. While doing this, I met my future (and current) husband and so my life's journey continued in Australia, where I've resided for 26 years. After marriage, the children soon followed with one having special needs. This was quite a full-time occupation for me but I still managed to juggle the needs of my growing family with my artistic endeavours, accepting commissions in all areas of art.

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