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*This piece is currently entered in the 26th FALC Annual Juried Exhibition and is unavailable.

Shangri-La is a fictional place described in the 1933 novel Lost Horizon by British author James Hilton. Hilton describes Shangri-La as a mystical, harmonious valley, gently guided from a lamasery, enclosed in the western end of the Kunlun Mountains.

This painting has an otherworldly feeling, almost in the sci-fi vein, although that was not what I was going for. It had a mind of its own during creation, and we went through many different compositional iterations before this one emerged. The elements I love most about this painting are its texture, thin black lines, and pan pastel dust.
*This piece is currently entered in the 26th FALC Annual Juried Exhibition and is unavailable.

Shangri-La is a fictional place described in the 1933 novel Lost Horizon by British author James Hilton. Hilton describes Shangri-La as a mystical, harmonious valley, gently guided from a lamasery, enclosed in the western end of the Kunlun Mountains.

This painting has an otherworldly feeling, almost in the sci-fi vein, although that was not what I was going for. It had a mind of its own during creation, and we went through many different compositional iterations before this one emerged. The elements I love most about this painting are its texture, thin black lines, and pan pastel dust.
*This piece is currently entered in the 26th FALC Annual Juried Exhibition and is unavailable.

Shangri-La is a fictional place described in the 1933 novel Lost Horizon by British author James Hilton. Hilton describes Shangri-La as a mystical, harmonious valley, gently guided from a lamasery, enclosed in the western end of the Kunlun Mountains.

This painting has an otherworldly feeling, almost in the sci-fi vein, although that was not what I was going for. It had a mind of its own during creation, and we went through many different compositional iterations before this one emerged. The elements I love most about this painting are its texture, thin black lines, and pan pastel dust.
*This piece is currently entered in the 26th FALC Annual Juried Exhibition and is unavailable.

Shangri-La is a fictional place described in the 1933 novel Lost Horizon by British author James Hilton. Hilton describes Shangri-La as a mystical, harmonious valley, gently guided from a lamasery, enclosed in the western end of the Kunlun Mountains.

This painting has an otherworldly feeling, almost in the sci-fi vein, although that was not what I was going for. It had a mind of its own during creation, and we went through many different compositional iterations before this one emerged. The elements I love most about this painting are its texture, thin black lines, and pan pastel dust.
*This piece is currently entered in the 26th FALC Annual Juried Exhibition and is unavailable.

Shangri-La is a fictional place described in the 1933 novel Lost Horizon by British author James Hilton. Hilton describes Shangri-La as a mystical, harmonious valley, gently guided from a lamasery, enclosed in the western end of the Kunlun Mountains.

This painting has an otherworldly feeling, almost in the sci-fi vein, although that was not what I was going for. It had a mind of its own during creation, and we went through many different compositional iterations before this one emerged. The elements I love most about this painting are its texture, thin black lines, and pan pastel dust.

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Shangri-La Painting

Kym Balthazar Fetsko

United States

Painting, Oil on Wood

Size: 12 W x 12 H x 1.5 D in

Ships in a Box

SOLD
Originally listed for $225

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Shangri-La is a fictional place described in the 1933 novel Lost Horizon by British author James Hilton. Hilton describes Shangri-La as a mystical, harmonious valley, gently guided from a lamasery, enclosed in the western end of the Kunlun Mountains. This painting has an otherworldly feeling, almos...

Year Created:

2021

Subject:
Mediums:

Painting, Oil on Wood

Rarity:

One-of-a-kind Artwork

Size:

12 W x 12 H x 1.5 D in

Ready to Hang:

Not Applicable

Frame:

Not Framed

Authenticity:

Certificate is Included

Packaging:

Ships in a Box

Delivery Cost:

Shipping is included in price.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

14-day return policy. Visit our help section for more information.

Handling:

Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.

Ships From:

United States.

Need more information?

Need more information?

A few decades spent creating editorial illustrations left me burnt out and yearning to make art that once again excited me. As terrifying as this pandemic is, I'm grateful it gave me time to revisit the type of art that always inspired me - abstract painting. Truth be told – I’m a Type “A”, bona fide control freak, and my illustrations alluded to that point. I was structured and precise, deadline-driven, and accustomed to having concepts and design already laid out for me. Becoming an abstract painter forced me into an unfamiliar and uncomfortable space of unpredictability and playfulness. While many aspects of painting are under my control, what emerges once the oil and cold wax is laid down is often surprising. The freedom I’ve given myself to explore and create art that’s solely mine is both exhilarating and challenging. By building grungy, textural layers and then working back into them with tools and solvents, I’m allowed to learn and make mistakes and to grow as an artist for the first time in a long while. You’ll still find remnants of my illustrative past with the incorporation of sharp lines and collage, but it’s the push and pull of creating an oil and cold wax piece that motivates me to witness what emerges by the time the final layer of wax is applied. Instagram - Affiliations ~ AFA Gallery Scranton Member Art e'Fekts Gallery, Pittston PA Pocono Arts Council

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