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Painting, Watercolor on Paper
Size: 3.5 W x 7 H x 0.1 D in
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The concepts of Shapes and Forms have been part of my life for a long time. Since childhood I have been exposed to visual arts through my father, a renowned senior artist. In the last few years I have observed the development of my drawings over the period of time; these drawings have been preserved by my father for his doctorate research. Like any other child, I too have several forms and shapes in my drawings in the form of scribbling, these shapes and forms have gradually evolved resulting in the paintings that I am currently working on. Presently I am focusing on the aspect of how basic shapes can be used to create a work of art. My research does not emphasize on logics but focuses on how shapes react or relate to one another. These series are based on my understanding of how basic Shapes and Forms guide, correspond, behave and correlate with one another and finally arrive at a center point or the Bindu (in Hindi language) through which energy manifests. The inspiration and guide to my work of art and also technique is my father Dr M S Murthy, an artist and a renowned watercolorist proficient in the technique of Indian wash method. I have been observing my father’s process of working in watercolour wash method technique since a long time and find it very interesting that the technique gives a very subtle effect to the work of art. It is through his constant guidance and support that I have achieved the result.
2022
Watercolor on Paper
One-of-a-kind Artwork
3.5 W x 7 H x 0.1 D in
Not Framed
No
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After his graduation from Visual Communication, Adithyaa has been working as a full-time Artist. His interest towards Art started when he was 5 years old watching his father draw and paint before him. His father has preserved all of his childhood drawings (including the scribblings) as a part of his doctorate research on Child Art, which he continues to reminisce. His Art journey initially started by implementing Heritage found objects in his work, some of which included the antique Sewing Machine, Heritage houses in Bangalore and many others. In 2020, he had his first solo exhibition ‘Living In The Past’ a series of paintings of Heritage value at The Goa State Museum. Over the years the subject of his work gradually shifted to a much more abstract and spiritual concept when he discovered the works of G R Santosh and was captivated by its sheer mysticism. This discovery created an interest in him to research on Indian Tantra, Spirituality which eventually led him to work on the series of ‘Shapes & Forms’. His journey was to understand the relation and reaction between the shapes with one another when composed in a space. In 2022, he had my second solo exhibition ‘Shapes & Forms’ a series of Abtract paintings at Karnataka Chitrakala Parishath, Bengaluru which was well received by many Senior Artists and Art Critics. In order for him to work on any of the above subjects, the contribution and influence of his father is predominant. He has been learning under him, the rare and forgotten technique of Traditional Indian Watercolour Wash Method. This technique involves thin and repeated washes of colour and water on the artwork to achieve a sublime and meditative effect. Apart from his father being a driving force for him as a young artist, he follows a very niche circle of thinkers, philosophers and spiritual personalities like J Krishnamurti, Ramana Maharshi and many others who are very closely related to his work and philosophy. An avid lover of Hindustani Classical Music and a Violinist too, music plays an important role in his works and the music of great Indian Classical Musicians like Pt Mallikarjun Mansur, Pt Kumar Gandharva, Ustad Amir Khan and Ustad Vilayat Khan influence his work immensly. In fact his upcoming series of paintings are based on the concept of ‘Sound & Silence’.
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