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"Silvery time" Painting

Hyojin Park, South Korea

Painting, Oil on Canvas

16.1 W x 23.6 H in

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This work will ship flat in a sturdy, well-protected cardboard box. Read More

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$1,000

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ABOUT THE ARTWORK

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I sometimes feel wondered by the beauty of the color and light given by nature. I would like to express not only the visual beauty obtained from nature, but also the atmosphere felt with the five senses such as auditory and smell by projecting the writer's sensibility.

Year Created:

2019

Subject:

Styles:

Mediums:

Painting, Oil on Canvas

Rarity:

One-of-a-kind Artwork

Size:

16.1 W x 23.6 H x 0.8 D in

Ready to Hang:

No

Frame:

Not Framed

Authenticity:

Certificate is Included

Packaging:

Ships in a Box

Delivery Cost:

Shipping is included in price.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

Free returns within 14 days of delivery. Visit our help section for more information.

Handling:

Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.

Ships From:

South Korea.

Need more information?

Contact us.

Need more information?

Contact us.
Hyojin Park

About the Artist

Hyojin Park

South Korea

Artist Hyo-jin park has been working with the sea for a long time. The infinite rhythm and change of the image of the wave, as well as the loneliness and energy of recovery hidden within it, have been a deep inspiration to the artist.

In her early work, she looked at the sea as a realistic landscape, but she did not stop at simply describing the facts. She tried to convey the emotions and thoughts she felt through the movement of the waves, and read the tension, relaxation, and hope for life contained within them.

The Beautiful World series was born in this extension.

The early works of this series paradoxically tell the story of beauty blooming in adversity. It was an attempt to hide pain and sighs and instead sublimate them into a clearer and more tranquil screen. By revealing the depth of emotion but expressing it in a restrained manner, simplifying the image of the wave, and utilizing the blank space, she wanted to create a space where the viewer could project their own story.

She began to think about more abstract and implicit language, moving away from the realistic and concrete wave landscapes she had previously used, and this was a turning point for me as well. With this series, I wanted to explore the possibility that beauty is not simply a visible landscape, but can still shine despite the wounds and adversities of human beings.

My gaze is still on the waves, but I wanted to tell a deeper and more universal story beyond them.
I am moving from the familiar image of the sea to paintings that can contain more emotion, lingering feelings, and the complexity of life.

Recognition:

  • Artist featured in a collection

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