Still life - interior Painting

My comments. I thing that painting it is a collection of coloured, simply and rarely tones, from which I can create the picture of some kind of reality. It seems to me that colour is complete value there. The autonomic all picture, not only the vision of some objects is the main purpose of my painting, the surface of the canvas which is cover with coloure dspotin some special order. The solution of this surface is only a esthetical and, of course, very particular, on the other hand the rights of colour harmony are for me undescribable. I don't want to imitate reality, I don't want to copy some elements of landscape or still-life, more interesting for me the reisthe situation which surrounds objects, this objects are only the inspirations for my pictures. I concentrate my thoughts on the structure of some object and I perceive an object as an independent, separate creature. In this way I can study the relation between this object and the space. Sometimes I have to eliminate some components at the sacrifice of composition. Some times I replace some form by another one. But in every situation the colour composes as variable and light thing. But I like risk, and I always do the best for my pictures, although it seems to be far away from the reality. Every task which I try to solve, for example still life, landscape, nude, human shape, figure became for me only a starting point ,this is rather work around the nature. I fix my attention on my picture not on the nature, which makes only some ground work for my art. In this way I can create pictures within nature, but the final effect seems to be far-away from it. The world surrounds us, but in every minute it looks different, that's why I can see the same object in one way in the morning or in another way in the afternoon. In this way I can explain thick layer of the oil paint on my canvas, which is not the intentional enrichment of facture. I never make any projects of m y pictures, I can't see it before I start painting, I have only indistinctly vision of my picture. I'm more interested in an action between some colours my paintings than its form. The most important for me are also the geometrical shapes of some objects.