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Painting, Oil on Pressed Cardboard
Size: 33.5 W x 21.9 H x 0.2 D in
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The painting is created from nature, the motif of the picture is interpreted and simplified to the geometric forms characteristic of Cubism. However, I use a method based on associations. When I studied at the art academy, our professor said: look at the still life as a piece of theater. For example, a jar or bottle can be endowed with human qualities. I do not paint still lifes simply as objects, but as people with their own qualities. Still life objects seem to "communicate" with each other, create drama, like actors on a theater stage. If you look at the composition from this side, it becomes more interesting. I can also improvise, starting from a real object, adding new forms from my imagination. But not too much, because you always have to keep the balance of the composition I often like to set still lifes, I like fruits, vegetables, dishes, fabrics... to use as still life models. I also like to interpret, simplify, move towards abstraction. This picture is one of those. Materials: cardboard (4 mm thick), oil, varnish.
2022
Oil on Pressed Cardboard
One-of-a-kind Artwork
33.5 W x 21.9 H x 0.2 D in
Not Framed
No
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Ukraine.
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Mykola Kozlovsky is a Ukrainian contemporary artist who works in non-figurative painting. Born in 1994 in Stupnytsia village, Lviv region. Now lives and works in Lviv, Ukraine. Art education: icon painter, religious painting. Admiring the landscape from nature. I like to use the principle of three-stage painting in a modern way I was born and raised in a small, beautiful village, surrounded by nature and beautiful landscapes. That's why I mostly paint landscapes in nature. The basis of my art is a harmonious composition, this is a common feature of any painting: from the Renaissance to abstraction. Color has the main importance in my art, I do not copy the colors of nature, but combine colors harmoniously as in nature. I rarely mix colors mechanically, but mix optically, or use pure color. The main source of inspiration for me is sunlight and forms of nature. My abstraction is based on the constant movement and change of matter in space and time. For example: a tree grows from a seed, grows under the influence of sunlight, ground, gravity, air, the tree becomes a whimsical, unpredictable shape This tree is a sign of its time. Then the tree dries up and dies, and becomes food for new plants that will go through the same cycle. This is the fate of all living things. I often observe this in nature, and it is the basis of my abstract perception.And that's why I believe that for me the form is the main thing and the content is secondary. And that's why I consider my paintings close to abstraction, but not pure abstraction. I draw on paper, cardboard, canvas; I use pencils, markers, acrylic, oil. I often combine acrylic and oil.
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