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"Stolen Europe" Painting

Olesia Tkachenko, Ukraine

Painting, Fabric on Soft (Yarn, Cotton, Fabric)

43.3 W x 47.2 H in

Ships in a Tube

This work will ship in a dent-resistant tube. Rolled works can easily be restretched. Read More

This artwork is not for sale.

ABOUT THE ARTWORK
DETAILS AND DIMENSIONS
SHIPPING AND RETURNS

The picture is dedicated to the ancient theme - the mythological subject, which is relevant for the rethinking of the values of classical art and the classical era at the present stage. The author's treatment of the eternal image of Zeus in the image of a bull and the girl he steals is aimed at achi...

Year Created:

2014

Subject:
Mediums:

Painting, Fabric on Soft (Yarn, Cotton, Fabric)

Rarity:

One-of-a-kind Artwork

Size:

43.3 W x 47.2 H x 1.2 D in

Ready to Hang:

No

Frame:

Not Framed

Authenticity:

Certificate is Included

Packaging:

Ships Rolled in a Tube

Delivery Cost:

Shipping is included in price.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

Free returns within 14 days of delivery. Visit our help section for more information.

Handling:

Ships rolled in a tube. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.

Ships From:

Netherlands.

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Olesia Tkachenko

About the Artist

Olesia Tkachenko

Ukraine

Playing with textures and visual effects, where textiles turn into brush strokes, has become my calling card. I like to call my works "three-dimensional" because my works combine painting, sculpture and craft. In my work I am looking for ways to recreate the feeling of natural textures. I try to recreate emotional feelings from contemplation of objects around us by using wool threads. My works are abstract, at first glance, but if you take a proper look you will discover many elements of real world. There are bright fresh spring green leaves, streams of icy water and warm sunlight. In my works I try to convey the textures of objects in the light and air environment, but at the same time I do not depict them, I do not focus on their materiality. Instead, I use non-pictorial materials for this sensory impression. I emphasize the idea that the world is essentially dualistic, everything in it is connected by invisible ties, everything is connected with everything. The world of abstract forms and theories is the embodiment of the physical world, and vice versa.

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