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The Storyline Collection. A body of work is like a story rather than a singular moment. This work continues to tell the story that began years ago, one of relationships (nature vs. nurture, tension and resolve, the already and the not yet). Bringing the marks and shapes and movement together rather than allowing them to float apart from one another, layering one of top of another intentionally, keeping some layers light and airy, while laying other layers on heavily and opaque, creates a story: one that is ever-changing, ever-growing, ever-shifting. I hope to be doing all the same as long as I have breath in me: changing, growing, learning. This body is a reflection of that - of my own story. I hope you find your story here as well.
The Storyline Collection. A body of work is like a story rather than a singular moment. This work continues to tell the story that began years ago, one of relationships (nature vs. nurture, tension and resolve, the already and the not yet). Bringing the marks and shapes and movement together rather than allowing them to float apart from one another, layering one of top of another intentionally, keeping some layers light and airy, while laying other layers on heavily and opaque, creates a story: one that is ever-changing, ever-growing, ever-shifting. I hope to be doing all the same as long as I have breath in me: changing, growing, learning. This body is a reflection of that - of my own story. I hope you find your story here as well.
The Storyline Collection. A body of work is like a story rather than a singular moment. This work continues to tell the story that began years ago, one of relationships (nature vs. nurture, tension and resolve, the already and the not yet). Bringing the marks and shapes and movement together rather than allowing them to float apart from one another, layering one of top of another intentionally, keeping some layers light and airy, while laying other layers on heavily and opaque, creates a story: one that is ever-changing, ever-growing, ever-shifting. I hope to be doing all the same as long as I have breath in me: changing, growing, learning. This body is a reflection of that - of my own story. I hope you find your story here as well.

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View In My Room

Storyline Collection. No. 7 Painting

Beth Winterburn

United States

Painting, Acrylic on Canvas

Size: 48 W x 24 H x 1.5 D in

Ships in a Crate

SOLD
Originally listed for $1,270

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4

Artist Recognition
link - Artist featured in a collection

Artist featured in a collection

ABOUT THE ARTWORK

The Storyline Collection. A body of work is like a story rather than a singular moment. This work continues to tell the story that began years ago, one of relationships (nature vs. nurture, tension and resolve, the already and the not yet). Bringing the marks and shapes and movement together rather than allowing them to float apart from one another, layering one of top of another intentionally, keeping some layers light and airy, while laying other layers on heavily and opaque, creates a story: one that is ever-changing, ever-growing, ever-shifting. I hope to be doing all the same as long as I have breath in me: changing, growing, learning. This body is a reflection of that - of my own story. I hope you find your story here as well.

DETAILS AND DIMENSIONS
Painting:

Acrylic on Canvas

Original:

One-of-a-kind Artwork

Size:

48 W x 24 H x 1.5 D in

SHIPPING AND RETURNS
Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Beth’s work tells a story of interpersonal dynamics in color, shape, line and texture. She utilizes her materials to create a record of memories as well as a journal of future aspirations. Her own journey consisting of hills and valleys, Beth desires to display a tension of longing, acceptance, conflict and serenity in her work. She sees her work as a language that speaks on her behalf, communicating a history and present reality of the complexities of human relationships. Her desire to influence the future with transparency and vulnerability lends to her effort to leave many of her marks and paint strokes to themselves, allowing and encouraging them to speak. She uses line and color to bring cohesion and connectivity to seemingly unrelated gestures. Beth is highly motivated by process and often finds it difficult to get to the end of a piece. Her interest lies more in the collected moments that lead to an end, much as in relationships that evolve over time.

Artist Recognition
Artist featured in a collection

Artist featured by Saatchi Art in a collection

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