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Reverse (banner 28 of 28)
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Studio Champion (banner 28 of 28) Painting

Andrew Connor

United States

Painting, Acrylic on Paper

Size: 24 W x 36 H x 0.1 D in

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$412

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ABOUT THE ARTWORK
DETAILS AND DIMENSIONS
SHIPPING AND RETURNS

Studio Champions was an installation I created in 2009 as an interpretation of a cross between an art festival, such as the Venice Biennale, and sports trading cards. Each banner has an image on front and reverse and can be mounted in a standard frame or displayed such that both sides can be seen.

Year Created:

2009

Subject:
Styles:
Mediums:

Painting, Acrylic on Paper

Rarity:

One-of-a-kind Artwork

Size:

24 W x 36 H x 0.1 D in

Ready to Hang:

No

Frame:

Not Framed

Authenticity:

Certificate is Included

Packaging:

Ships in a Box

Delivery Cost:

Shipping is included in price.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

14-day return policy. Visit our help section for more information.

Handling:

Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.

Ships From:

United States.

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Need more information?

I was born in New London, Connecticut and was raised in college towns in the Northeast, outside of Philadelphia and in the Midwest, outside of Cincinnati. It’s difficult to identify specific and consistent influences in my work, because my goals and objectives as a picture maker evolve so frequently. Although, a representational element is and has been constant throughout. In fact, I don’t think I’ve ever created a purely abstract image as a finished piece of artwork. For the past 30 years or so, my work has run the gamut from straight forward 2’x3’ sharp focus still life paintings to a 24’x16’x9’ assemblage exploring the American phenomenon of gun violence to an assemblage comprised of harvested litter packaged for sale as part of the so-called green economy. Presently, I’m painting and framing loose, action pictures that suggest vintage toys and vague impressions of Christmastime memories of the 1970s. A rhythm has emerged, so it seems likely that I’ll continue in this mode for a while.

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