Su Chi Song revisitaded #2 Painting

Christian Hadengue states the following: "My calligraphy" does not refer to the Asian tradition, as there is no literary meaning. They are placed on paper, associated with the idea of rhythm, movement, fragment. A way of marking breath, time, milestones identifiable in space, the traits of a language that generates a vocabulary of its own.” This is a perfect definition of artistic calligraphy in the West, because while in the East calligraphy is ideographic, that is, the sign carries in itself the signifier and the signified, in the West the sign is an arbitrary linguistic and cultural convention that associates signifier and meaning according to a purely linguistic logic. This work, in acrylic on canvas, is an exercise in western western artistic calligraphy, in which it is the gesture, the movement, the rhythm, the scribble without linguistic content, which expose time and space in a pure manifestation of the artist's body, being , therefore, at the same time, painting, calligraphy, dancing and drawing. The work will be mounted on a wooden chassis and ready to be placed on the wall.