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Supernovatown Painting

Vanessa Rumaz Aka Mercante

United States

Painting, Gouache on Paper

Size: 24 W x 36 H x 1 D in

Ships in a Box

This artwork is not for sale.

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ABOUT THE ARTWORK
DETAILS AND DIMENSIONS
SHIPPING AND RETURNS

a city moving at a speed of a supernova. A metaphor for our lives—in perpetual movement, to meet goals and expectations, no matter what the consequences. The artwork is charcoal, oil pastel, and gouache. I hope It was inspired by the tale of the Baron in the trees and also by the concept of monociti...

Year Created:

2022

Subject:
Mediums:

Painting, Gouache on Paper

Rarity:

One-of-a-kind Artwork

Size:

24 W x 36 H x 1 D in

Ready to Hang:

No

Frame:

Not Framed

Authenticity:

Certificate is Included

Packaging:

Ships in a Box

Delivery Cost:

Shipping is included in price.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

14-day return policy. Visit our help section for more information.

Handling:

Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.

Ships From:

United States.

Need more information?

Need more information?

I’m from Italy, born and raised in the art-rich region of Veneto. My family has a strong artistic background, making it challenging to escape my destiny. As a kid, I tried to rebel against the creative path by closely observing the gas station owner across the street and dreaming of owning my very own (and very fancy) gas station. Eventually, I realized my calling wasn’t in the arts but in the fuel trade. After a few unsuccessful attempts to run away from home and some mischievous incidents involving securing the family jewelry in an undisclosed location, I decided, at the age of three, to paint our kitchen walls in a Kandinsky pre-war style. The move tested my mother’s patience and shaped my aesthetic sense, saving me from a life surrounded by gasoline fumes. Instead, I chose a path where inspiration and art would be my fuel. It was also then that I realized the power of storytelling—which, on that occasion, was paramount to get me out of trouble. I understood that good stories are worth telling, but great stories are worth repeating, and I would try to accomplish the last without words. What followed was a passion for connecting dots that others often miss. My inspiration comes from deep within, allowing emotions to flow without boundaries or fear of judgment. Getting there was a painful journey. Since art school, it took me about thirty years to have the courage to face myself and shape that with lines and colors. I am no longer afraid of my demons, and I have accepted they take turns with the sunny days—that’s just the reality of life. I am also not scared of exploring different styles and mediums—which is traditionally frowned upon. Often, I pass my days obsessively searching for beauty and harmony. Not beauty in the traditional sense of the word, but rather the beauty most “passersby” overlook, oblivious of the little details and their context, of the intoxicating power of what cannot follow aesthetic and social rules. This unexpected beauty is also part of my inspiration—living alongside the demons and the sunny days.

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India Balyejusa, Senior Curator