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This painting is part of my 'The Blues' series which explores the devasting effect of Alzheimers and Dementia and how memory and self becomes fluid with areas of space and darkness peppered with short elements of bright lucidity. Ultimately, these paintings are a tribute to the sufferers and their loved ones and also, primarily about love and hope.

These paintings have been influenced by Monet's Waterlillies and the dark, moodiness of Rothko.

Surfacing has been professionally framed with a bespoke wooden frame painted in Farrow & Ball 'Downpipe' paint.
This painting is part of my 'The Blues' series which explores the devasting effect of Alzheimers and Dementia and how memory and self becomes fluid with areas of space and darkness peppered with short elements of bright lucidity. Ultimately, these paintings are a tribute to the sufferers and their loved ones and also, primarily about love and hope.

These paintings have been influenced by Monet's Waterlillies and the dark, moodiness of Rothko.

Surfacing has been professionally framed with a bespoke wooden frame painted in Farrow & Ball 'Downpipe' paint.
This painting is part of my 'The Blues' series which explores the devasting effect of Alzheimers and Dementia and how memory and self becomes fluid with areas of space and darkness peppered with short elements of bright lucidity. Ultimately, these paintings are a tribute to the sufferers and their loved ones and also, primarily about love and hope.

These paintings have been influenced by Monet's Waterlillies and the dark, moodiness of Rothko.

Surfacing has been professionally framed with a bespoke wooden frame painted in Farrow & Ball 'Downpipe' paint.
This painting is part of my 'The Blues' series which explores the devasting effect of Alzheimers and Dementia and how memory and self becomes fluid with areas of space and darkness peppered with short elements of bright lucidity. Ultimately, these paintings are a tribute to the sufferers and their loved ones and also, primarily about love and hope.

These paintings have been influenced by Monet's Waterlillies and the dark, moodiness of Rothko.

Surfacing has been professionally framed with a bespoke wooden frame painted in Farrow & Ball 'Downpipe' paint.
This painting is part of my 'The Blues' series which explores the devasting effect of Alzheimers and Dementia and how memory and self becomes fluid with areas of space and darkness peppered with short elements of bright lucidity. Ultimately, these paintings are a tribute to the sufferers and their loved ones and also, primarily about love and hope.

These paintings have been influenced by Monet's Waterlillies and the dark, moodiness of Rothko.

Surfacing has been professionally framed with a bespoke wooden frame painted in Farrow & Ball 'Downpipe' paint.

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5

View In My Room

Surfacing Painting

Abigail Bowen

United Kingdom

Painting, Oil on Canvas

Size: 12 W x 12 H x 0.5 D in

Ships in a Box

SOLD
Originally listed for $530

436 Views

5

Artist Recognition
link - Showed at the The Other Art Fair

Showed at the The Other Art Fair

link - Artist featured in a collection

Artist featured in a collection

ABOUT THE ARTWORK

This painting is part of my 'The Blues' series which explores the devasting effect of Alzheimers and Dementia and how memory and self becomes fluid with areas of space and darkness peppered with short elements of bright lucidity. Ultimately, these paintings are a tribute to the sufferers and their loved ones and also, primarily about love and hope. These paintings have been influenced by Monet's Waterlillies and the dark, moodiness of Rothko. Surfacing has been professionally framed with a bespoke wooden frame painted in Farrow & Ball 'Downpipe' paint.

DETAILS AND DIMENSIONS
Painting:

Oil on Canvas

Original:

One-of-a-kind Artwork

Size:

12 W x 12 H x 0.5 D in

SHIPPING AND RETURNS
Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

I like to say that I paint ‘The Edge of The Rainbow’. The term comes from Donna Tartt’s novel, The Goldfinch as she describes a space that sits just beyond reality, where all beauty, magic and art exists. My paintings are an attempt to conjure this space, to break through this reality and try and grasp what lies just beyond what we can see. Its a place that is blurry, shimmering and impossible to capture. In practice, I use layers and layers of thin, runny oil paint to create glowing glazes of colour that vibrate and change in the light. As I apply each translucent layer I like to imagine that light and air is caught within the painting, allowing it to breathe and come alive.

Artist Recognition
Showed at the The Other Art Fair

Handpicked to show at The Other Art Fair presented by Saatchi Art in London, London, London, London, London, London, London

Artist featured in a collection

Artist featured by Saatchi Art in a collection

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